1 00:00:01,333 --> 00:00:02,633 GLORIA: What are you doing, daughter? 2 00:00:02,700 --> 00:00:04,533 PATRICIA: Get that they take me seriously. 3 00:00:04,600 --> 00:00:05,600 GLORIA: Patricia... 4 00:00:05,666 --> 00:00:07,433 ...don't lose sight of Ana. 5 00:00:07,500 --> 00:00:09,400 GLORIA: I suspect they are still together. 6 00:00:09,466 --> 00:00:10,533 CARMEN: It's new. 7 00:00:10,600 --> 00:00:11,500 CARMEN: You need a uniform. 8 00:00:11,566 --> 00:00:12,600 BLANCA: You don't want to... 9 00:00:12,666 --> 00:00:13,733 WHITE: ...introduce yourself... 10 00:00:13,800 --> 00:00:15,066 BLANCA: ...and pretend you were... 11 00:00:15,133 --> 00:00:15,800 - ...my... MAX: Son. 12 00:00:16,033 --> 00:00:17,700 MAN: When Will you earn their trust? 13 00:00:17,766 --> 00:00:19,200 Take. 14 00:00:19,266 --> 00:00:20,600 So you can fix your issues. 15 00:00:22,200 --> 00:00:23,600 MAX: I already have. 16 00:00:25,033 --> 00:00:26,233 MATTHEW: It's a shame... 17 00:00:26,300 --> 00:00:28,166 ...don't come with me to have something to eat in Alcalá. 18 00:00:28,233 --> 00:00:30,266 RITA: Has Don Mateo invited you? and you said yes? 19 00:00:30,333 --> 00:00:31,166 CLARA: Please... 20 00:00:31,233 --> 00:00:32,800 ...don't tell Pedro anything. 21 00:00:33,233 --> 00:00:36,133 CLARA: I promise you that nothing will happen. with Don Mateo. 22 00:00:42,200 --> 00:00:43,400 PEDRO: Excuse me, Don Mateo. 23 00:00:43,466 --> 00:00:45,633 I was worried about my girlfriend. 24 00:00:45,700 --> 00:00:46,566 His girlfriend... 25 00:00:46,633 --> 00:00:47,466 CLARA: I have never lied to Pedro. 26 00:00:47,533 --> 00:00:50,133 CLARA: I had never deceived him in my life. I swear. 27 00:00:50,200 --> 00:00:51,566 MATTHEW: Lucrecia. Clara, my secretary. 28 00:00:53,633 --> 00:00:55,166 CLARA: Why do you love me, Pedro? 29 00:00:55,233 --> 00:00:56,566 That is not chosen. That feels... 30 00:00:57,300 --> 00:00:58,700 PEDRO: ...and that's it. 31 00:01:02,333 --> 00:01:04,066 I hope you know what you're doing? 32 00:01:04,133 --> 00:01:07,300 LUISA: They called me from a clinic. There is a place for my husband. 33 00:01:07,366 --> 00:01:08,366 Oh, daughter! 34 00:01:08,433 --> 00:01:11,000 FRANCIS: Your husband He has a place thanks to me. 35 00:01:11,066 --> 00:01:13,200 And I appreciate it. 36 00:01:13,266 --> 00:01:15,233 FRANCIS: If you want May your husband still be there... 37 00:01:15,300 --> 00:01:16,400 FRANCISCO: ...come here. 38 00:01:16,466 --> 00:01:18,133 FRANCIS: The day after tomorrow, at nine. 39 00:01:18,200 --> 00:01:19,466 ALBERTO: I will get married with Cristina... 40 00:01:19,533 --> 00:01:20,366 ...in one year. 41 00:01:20,433 --> 00:01:23,500 In one year, we will launch the new collection with which we will surprise... 42 00:01:23,566 --> 00:01:24,733 ...and I will cancel the engagement. 43 00:01:24,800 --> 00:01:26,100 MATEO: And you know how to do it. 44 00:01:26,166 --> 00:01:27,666 Thank you very much for coming. 45 00:01:27,733 --> 00:01:30,200 ALBERTO: I want you to design our new collection. 46 00:01:30,266 --> 00:01:31,266 RAÚL: And lower my cache? 47 00:01:31,333 --> 00:01:33,100 It's about gambling. We bet on you... 48 00:01:33,166 --> 00:01:34,600 ALBERTO: ...and you for us. 49 00:01:34,666 --> 00:01:36,766 WHITE: Yes it works with us, Rita... 50 00:01:37,000 --> 00:01:38,233 BLANCA: ...I would be his assistant. 51 00:01:38,300 --> 00:01:41,166 Gerardo has spoken with the bishop. The wedding is in two months. 52 00:01:41,233 --> 00:01:42,233 How was it? 53 00:01:42,633 --> 00:01:43,466 CRISTINA: Raúl... 54 00:01:43,533 --> 00:01:46,100 ...if you don't sign with Alberto, you're going to regret it. 55 00:01:46,466 --> 00:01:48,100 RAÚL: Good, I don't want to regret it. 56 00:01:48,166 --> 00:01:50,033 I will create a collection for Velvet. 57 00:01:50,100 --> 00:01:51,533 RAÚL: Alberto, you're lucky... 58 00:01:51,600 --> 00:01:53,566 RAÚL: ...you marry a great woman. 59 00:01:55,500 --> 00:01:56,500 GLORIA: What have you discovered? 60 00:01:56,566 --> 00:01:57,566 PATRICIA: You were right, mother. 61 00:01:58,033 --> 00:01:59,000 PATRICIA: Continue with Ana... 62 00:01:59,066 --> 00:02:01,000 ...I've seen them kiss before. 63 00:02:02,133 --> 00:02:03,033 I knew it. 64 00:02:03,533 --> 00:02:06,400 PATRICIA: I'm done with this pantomime. whenever I want. 65 00:02:06,466 --> 00:02:07,300 I love you! 66 00:02:08,166 --> 00:02:10,166 [JAZZ MUSIC PLAYS] 67 00:02:16,433 --> 00:02:18,433 [A MELODY FROM THE 50'S PLAYS, SERIES TUNE] 68 00:03:17,133 --> 00:03:19,533 Have I put on too much makeup? I've put on too much makeup. 69 00:03:19,600 --> 00:03:20,600 No. You are beautiful. 70 00:03:20,666 --> 00:03:22,400 RITA: Are you really saying that? 71 00:03:22,466 --> 00:03:23,766 When mother finds out that we are on the cover. 72 00:03:24,000 --> 00:03:25,466 RITA: He's going to swell like a turkey! 73 00:03:25,533 --> 00:03:28,300 RITA: We have to send him ten magazines for you to distribute. 74 00:03:28,366 --> 00:03:29,333 CLARA: Well, you'll see... 75 00:03:29,400 --> 00:03:30,700 CLARA: ...because they are worth it three dollars. 76 00:03:30,766 --> 00:03:33,033 Well, we sent you one and let him teach her. 77 00:03:33,100 --> 00:03:34,133 RITA: No? 78 00:03:34,200 --> 00:03:35,500 Get high for the photo, please. 79 00:03:38,700 --> 00:03:41,700 [JAZZ MUSIC PLAYS] 80 00:03:43,766 --> 00:03:45,766 [CHAT] 81 00:03:48,366 --> 00:03:50,366 [JAZZ MUSIC CONTINUES] 82 00:03:53,333 --> 00:03:54,166 RAÚL: Cristina. 83 00:03:54,600 --> 00:03:55,433 Come. 84 00:03:56,033 --> 00:03:56,700 I? 85 00:03:56,766 --> 00:03:57,700 RAÚL: Come, woman. 86 00:03:57,766 --> 00:03:58,800 CRISTINA: No, no, no. 87 00:03:59,033 --> 00:04:01,166 RAÚL: Why not? You have to be in this photo. 88 00:04:01,233 --> 00:04:02,166 No, no, no. 89 00:04:02,233 --> 00:04:03,433 - Really. - How not? 90 00:04:03,500 --> 00:04:04,600 RAÚL: And this dress is perfect. Come on. 91 00:04:04,666 --> 00:04:07,366 CRISTINA: No. today is the day by Velvet and Raúl de la Riva and... 92 00:04:07,433 --> 00:04:09,666 RAÚL: And why are we together? Christina, come on. 93 00:04:09,733 --> 00:04:11,466 Please don't do this to me, Raúl. 94 00:04:11,533 --> 00:04:13,433 Well, I can't be in the photo... 95 00:04:13,500 --> 00:04:16,233 RAÚL: ...if Cristina isn't there either. Very sorry. 96 00:04:16,366 --> 00:04:17,733 CRISTINA: I can't believe it. 97 00:04:17,800 --> 00:04:19,633 You are a blackmailer. 98 00:04:20,233 --> 00:04:22,166 It's my specialty. 99 00:04:27,466 --> 00:04:28,300 RAÚL: Divine. 100 00:04:30,733 --> 00:04:32,566 PHOTOGRAPHER: More to the left, miss. 101 00:04:32,633 --> 00:04:33,800 PHOTOGRAPHER: More. 102 00:04:34,033 --> 00:04:35,333 PHOTOGRAPHER: On the other side. 103 00:04:35,400 --> 00:04:37,266 PHOTOGRAPHER: There. There it is good. 104 00:04:37,333 --> 00:04:39,766 PHOTOGRAPHER: Remember that are going to occupy the cover. 105 00:04:40,000 --> 00:04:42,200 I want the best of your smiles. 106 00:04:43,533 --> 00:04:45,100 Attentive. 107 00:04:45,166 --> 00:04:46,500 To my photo face. 108 00:04:46,566 --> 00:04:49,300 I hope you have practiced too. 109 00:04:54,133 --> 00:04:56,133 [JAZZ MUSIC PLAYS] 110 00:05:08,266 --> 00:05:10,000 MATEO: Mr. Márquez... 111 00:05:11,400 --> 00:05:13,400 MATEO AND ALBERTO [LAUGH] 112 00:05:15,700 --> 00:05:17,066 MATEO: We are the cover. 113 00:05:17,133 --> 00:05:18,566 ALBERTO: If my father saw this... 114 00:05:18,633 --> 00:05:20,000 MATEO: De la Riva is interesting. 115 00:05:20,066 --> 00:05:22,500 ALBERT: Yes. Now you need to interest your collection. 116 00:05:22,566 --> 00:05:24,733 Cristina turned out great. The perfect couple. 117 00:05:25,100 --> 00:05:26,700 - Your photo face. MATTHEW: What? 118 00:05:26,766 --> 00:05:29,033 ALBERTO: He has a rehearsed gesture. He told me one night. 119 00:05:29,100 --> 00:05:30,466 MATEO: Poor Cristina. 120 00:05:30,533 --> 00:05:31,533 MATEO: Raúl forced her for him to pose. 121 00:05:31,600 --> 00:05:32,500 MATTHEW: He's happy. 122 00:05:32,566 --> 00:05:34,400 Lately I do nothing but see her smile. 123 00:05:35,033 --> 00:05:36,500 That's what it's all about, right? 124 00:05:36,566 --> 00:05:38,533 MATTHEW: What is the secret? 125 00:05:39,033 --> 00:05:39,800 What secret? 126 00:05:40,233 --> 00:05:42,266 have two women and that they both feel happy. 127 00:05:42,333 --> 00:05:44,633 MATEO: I've been looking for it my whole life. 128 00:05:56,066 --> 00:05:57,200 The magazine? 129 00:05:58,633 --> 00:06:00,266 I left it in the office. 130 00:06:01,233 --> 00:06:03,500 Luckily my uncle brought one in the mail. 131 00:06:06,200 --> 00:06:08,133 ANA: It's okay, right? 132 00:06:09,533 --> 00:06:11,800 I don't like it at all that you don't appear in the photo. 133 00:06:12,033 --> 00:06:13,633 Well. Now I have to be in the shadows. 134 00:06:14,133 --> 00:06:16,066 But what shadow? 135 00:06:16,200 --> 00:06:18,166 What shadow? If no one can overshadow you. 136 00:06:18,466 --> 00:06:19,733 You come out very handsome. 137 00:06:19,800 --> 00:06:21,633 "The perfect couple." 138 00:06:23,300 --> 00:06:25,400 This refers to the couple I make with de la Riva. 139 00:06:25,466 --> 00:06:27,366 No, they refer to you and Cristina. 140 00:06:27,433 --> 00:06:29,433 "The handsome heir and his beautiful fiancée... 141 00:06:29,500 --> 00:06:32,266 ...they pose for us with the workers of the Velvet Galleries". 142 00:06:32,333 --> 00:06:33,166 Well... 143 00:06:33,233 --> 00:06:34,766 ...and what does it tell me the handsome heir... 144 00:06:35,000 --> 00:06:39,066 ...when seen in the magazine La Moda de España "about to turn 31"? 145 00:06:41,266 --> 00:06:43,533 Well I wish I were my father here to see it. 146 00:06:43,600 --> 00:06:46,700 Because you would love it everything that is happening to us. 147 00:06:46,766 --> 00:06:48,266 Come. 148 00:06:49,533 --> 00:06:50,766 I remember a lot about him. 149 00:06:51,000 --> 00:06:53,166 And even more so now that it's going to be my birthday. 150 00:06:53,233 --> 00:06:55,533 He always told me the same thing. All my birthdays... 151 00:06:55,600 --> 00:06:57,200 ...did everything possible to come... 152 00:06:57,266 --> 00:07:00,500 ...where I would have breakfast with me and said: “Alberto... 153 00:07:00,800 --> 00:07:02,033 ...you are doing a man 154 00:07:02,100 --> 00:07:04,466 Don't let life pass you by "You are the owner of your destiny." 155 00:07:06,700 --> 00:07:09,266 How are you going to celebrate this year? 156 00:07:10,566 --> 00:07:12,533 I'm not going to celebrate it. 157 00:07:12,666 --> 00:07:14,800 But you will accept gifts. 158 00:07:17,666 --> 00:07:19,300 Okay. 159 00:07:23,666 --> 00:07:25,666 [ROMANTIC MUSIC FROM THE 50'S PLAYS] 160 00:07:33,400 --> 00:07:36,333 My goodness, what a stupid face they've made of me. But I'm not like that. 161 00:07:36,400 --> 00:07:38,433 RITA: Am I like that? 162 00:07:38,500 --> 00:07:39,500 But if I seem a ram 163 00:07:39,566 --> 00:07:42,266 On the other hand, Miss Patricia, look at her, even as a shop assistant. 164 00:07:42,333 --> 00:07:43,366 And what do you want? 165 00:07:43,433 --> 00:07:45,300 He's been posing since I was fifteen years old! 166 00:07:45,366 --> 00:07:48,233 Do you remember the report What did you do for your debut? 167 00:07:48,300 --> 00:07:50,100 PETER: Hello princesses. 168 00:07:50,166 --> 00:07:51,600 Excuse me, your face sounds familiar. 169 00:07:52,433 --> 00:07:54,466 PETER: Yes. Are you a model? 170 00:07:55,266 --> 00:07:57,566 PETER: No! Is she an actress? -Uh-huh. 171 00:07:57,633 --> 00:07:58,700 Yes, from Hollywood. 172 00:07:58,766 --> 00:08:00,000 PEDRO: From Hollywood? 173 00:08:00,066 --> 00:08:01,166 PETER: Grace Kelly. 174 00:08:01,233 --> 00:08:02,800 PEDRO: Actress and princess, right? 175 00:08:03,033 --> 00:08:05,266 I already said that it sounded familiar. 176 00:08:06,133 --> 00:08:07,600 But you are more handsome than Rainier. 177 00:08:07,666 --> 00:08:08,800 Yeah? 178 00:08:09,033 --> 00:08:11,066 Goodbye, princess. 179 00:08:12,800 --> 00:08:16,000 CLARA: I'm going to climb up, that should already be in my place. 180 00:08:17,266 --> 00:08:19,400 What are you looking at me? Has my mascara run? 181 00:08:23,766 --> 00:08:24,600 No no. 182 00:08:24,666 --> 00:08:27,300 That surprised me a little Seeing you so affectionate with Pedro. 183 00:08:27,800 --> 00:08:29,500 And why does he miss you? Isn't he my boyfriend? 184 00:08:29,566 --> 00:08:31,466 Like lately You said you had your doubts. 185 00:08:31,533 --> 00:08:33,733 Already. But couples go through their moments. 186 00:08:33,800 --> 00:08:35,166 You're going to tell me... 187 00:08:35,233 --> 00:08:36,600 ...that I heard you say the other day. 188 00:08:36,666 --> 00:08:38,133 I think it was Thursday or... 189 00:08:38,200 --> 00:08:41,066 Don't tell me you like it now stick your ear behind the doors. 190 00:08:41,133 --> 00:08:42,166 It wasn't necessary, Clara. 191 00:08:42,400 --> 00:08:44,166 I don't have you to give you explanations. 192 00:08:44,233 --> 00:08:45,266 I haven't even asked you for them. 193 00:08:45,333 --> 00:08:47,700 I've been with Pedro for six years now. and what do you want me to tell you. 194 00:08:47,766 --> 00:08:49,233 wait until marriage... 195 00:08:49,300 --> 00:08:51,400 CLARA: ...it seems to me which is rather from another era. 196 00:08:51,466 --> 00:08:52,366 And what about? 197 00:08:53,366 --> 00:08:54,400 Well. 198 00:08:54,466 --> 00:08:56,000 Well, how is Pedro... 199 00:08:56,066 --> 00:08:57,766 ...with great enthusiasm but little delicacy. 200 00:08:58,000 --> 00:09:00,166 Until you drop it all the hair from the pasture... 201 00:09:00,233 --> 00:09:02,066 Daughter, anyone who will hear you! 202 00:09:02,133 --> 00:09:03,400 Not even that you could compare. 203 00:09:03,466 --> 00:09:04,733 Hey, what are you implying? 204 00:09:04,800 --> 00:09:07,233 Nothing, but what you said It wasn't romantic. 205 00:09:07,300 --> 00:09:09,600 Well, but it was unromantic. That's the truth. 206 00:09:09,666 --> 00:09:11,100 Maybe it couldn't be. 207 00:09:11,166 --> 00:09:13,566 Oh, look, Rita, for God's sake, Stop talking like an oracle. 208 00:09:13,633 --> 00:09:14,466 What do you mean? 209 00:09:14,766 --> 00:09:16,733 That maybe Pedro may not be a man for you. 210 00:09:21,600 --> 00:09:22,700 See you for lunch. 211 00:09:27,000 --> 00:09:29,000 [MUSICAL CHORUS PLAYS] 212 00:09:35,733 --> 00:09:36,766 And that stupid face? 213 00:09:37,333 --> 00:09:38,666 What face do you want it to have? 214 00:09:38,733 --> 00:09:40,333 Sieso life, sieso face. 215 00:09:40,400 --> 00:09:42,400 But what's wrong with you? 216 00:09:42,766 --> 00:09:43,600 Nothing. 217 00:09:44,600 --> 00:09:46,266 [MUSICAL CHORUS ENDS] 218 00:09:51,300 --> 00:09:52,133 Remove. 219 00:09:53,700 --> 00:09:56,433 Things happen to all of you. Things that I would like to happen to me. 220 00:09:56,500 --> 00:09:58,000 I want let them fall in love with me... 221 00:09:58,066 --> 00:10:00,400 ...and going on romantic dates and everything else. 222 00:10:00,466 --> 00:10:02,366 But what has he given you today? 223 00:10:04,400 --> 00:10:06,133 My sister and Pedro, who... 224 00:10:06,200 --> 00:10:07,166 Well, you already know. 225 00:10:07,233 --> 00:10:08,133 Don't know. 226 00:10:08,200 --> 00:10:10,100 Well woman, they have done it. 227 00:10:10,166 --> 00:10:11,133 What do you think? 228 00:10:11,200 --> 00:10:15,400 I don't know. You tell it in a way that seems that they have killed someone. They love each other, don't they? 229 00:10:16,533 --> 00:10:18,166 I'm sorry. I know you're having a hard time. 230 00:10:18,233 --> 00:10:20,666 But it's not because of him. At least... 231 00:10:20,733 --> 00:10:22,766 That I understand Pedro. But... 232 00:10:23,000 --> 00:10:23,800 I can't help it. 233 00:10:24,033 --> 00:10:26,533 I think my sister doesn't deserve it. 234 00:10:27,066 --> 00:10:29,500 Because she loves him enough. He doesn't want it as much as... 235 00:10:29,633 --> 00:10:30,000 Like you? 236 00:10:33,800 --> 00:10:34,700 It's just... 237 00:10:34,766 --> 00:10:35,666 ...she's okay more than me. 238 00:10:35,733 --> 00:10:37,233 No matter where you look at it. 239 00:10:37,300 --> 00:10:38,500 And Peter... 240 00:10:38,566 --> 00:10:41,233 What's so strange about it that he only has eyes for her? 241 00:10:41,300 --> 00:10:44,500 She is so smart and so pretty and so relaxed that… 242 00:10:44,566 --> 00:10:46,366 [ANGRY]: Yes, it even has a better job. 243 00:10:46,433 --> 00:10:48,100 It has everything. 244 00:10:48,733 --> 00:10:50,600 [SHOUTING]: Get off! 245 00:10:50,666 --> 00:10:52,200 But, for God's sake, what's wrong with this one? 246 00:10:52,266 --> 00:10:54,266 Lovesickness 247 00:11:01,266 --> 00:11:02,233 [WITH ENTHUSIASM]: Good morning, Don Emilio. 248 00:11:02,300 --> 00:11:04,100 EMILIO: Good morning. 249 00:11:04,800 --> 00:11:07,433 Can you know what is happening to him? 250 00:11:07,500 --> 00:11:10,500 I'm just a little nervous because I'm not very good at these things. 251 00:11:10,566 --> 00:11:11,700 What things? 252 00:11:11,766 --> 00:11:14,500 Look, there are moments in life of a young man, Don Emilio... 253 00:11:14,766 --> 00:11:18,700 ...which you have to think about in the future. I talk about anyone and I talk a little about myself. 254 00:11:18,766 --> 00:11:20,033 Life changes sometimes... 255 00:11:20,100 --> 00:11:21,466 [IMPATIENTLY]: What do you want? 256 00:11:21,533 --> 00:11:22,566 A promotion. 257 00:11:22,633 --> 00:11:23,466 A promotion. 258 00:11:23,533 --> 00:11:24,400 To dependent. 259 00:11:25,633 --> 00:11:26,533 Dependent? 260 00:11:27,533 --> 00:11:30,000 All positions facing the public are covered. 261 00:11:30,066 --> 00:11:32,066 How will you understand We're not going to kick another one out... 262 00:11:32,133 --> 00:11:33,466 ...to give it to you. 263 00:11:33,700 --> 00:11:34,533 No, Don Emilio... 264 00:11:34,600 --> 00:11:35,700 Furthermore, it does not comply with... 265 00:11:35,766 --> 00:11:38,766 - ...the requirements to be dependent. [SURPRISED]: No? 266 00:11:40,300 --> 00:11:41,433 It doesn't comply, no. 267 00:11:42,200 --> 00:11:43,333 Well if you say so. 268 00:11:43,400 --> 00:11:45,066 I really I don't know what you're talking about, huh? 269 00:11:45,133 --> 00:11:47,200 No? To start the general culture. 270 00:11:47,766 --> 00:11:51,433 EMILIO: For example, What is the capital of Belgium? 271 00:11:53,300 --> 00:11:54,666 What is organza? 272 00:11:55,133 --> 00:11:56,600 EMILIO: What is poplin? 273 00:11:56,666 --> 00:11:58,733 EMILIO: What is viscose? 274 00:11:58,800 --> 00:12:02,266 [PATERNALIST]: Focus in his job as a messenger. 275 00:12:03,100 --> 00:12:04,266 EMILIO: And give thanks. 276 00:12:04,333 --> 00:12:06,400 It's a good job... 277 00:12:06,466 --> 00:12:08,100 ...with a good salary. 278 00:12:16,766 --> 00:12:19,000 I wanted to make a home... 279 00:12:19,066 --> 00:12:21,033 ...don Emilio, with Clara. 280 00:12:21,500 --> 00:12:23,633 Own a house. 281 00:12:23,700 --> 00:12:25,633 Have kids. 282 00:12:26,333 --> 00:12:28,533 The initiative is not enough... 283 00:12:28,600 --> 00:12:30,533 ...to ascend, Pedro. And now, please... 284 00:12:30,600 --> 00:12:33,666 ...go to your thing, We both have many things to do. 285 00:12:33,733 --> 00:12:35,500 [CUTTING]: Please. 286 00:12:41,700 --> 00:12:43,133 [PROUD]: And the capital from Belgium... 287 00:12:43,200 --> 00:12:44,800 ...it's Berlin. 288 00:12:53,333 --> 00:12:56,100 Aren't you thinking to give that to Alberto? 289 00:12:56,166 --> 00:12:57,200 It's nice, huh? 290 00:12:57,266 --> 00:12:58,166 And so much so that it is beautiful. 291 00:12:58,233 --> 00:13:01,200 He turns 31 years old, What is it going to take you to pay for the watch? 292 00:13:01,466 --> 00:13:03,233 [ANNOYING]: Nobody like you to encourage you. 293 00:13:03,300 --> 00:13:04,300 But it is the truth. 294 00:13:04,366 --> 00:13:06,233 Where will you get money from? to pay for something like that? 295 00:13:06,300 --> 00:13:07,466 Well, from nowhere. 296 00:13:07,533 --> 00:13:09,366 I'm just thinking What can I give you? 297 00:13:09,433 --> 00:13:11,233 my last gift It was when we were 16 years old. 298 00:13:11,300 --> 00:13:13,100 And what was it? 299 00:13:13,700 --> 00:13:14,533 I don't remember. 300 00:13:14,600 --> 00:13:16,666 Of course you remember. 301 00:13:17,133 --> 00:13:17,800 I'm ashamed. 302 00:13:18,033 --> 00:13:20,666 [WITH APATHY]: Oh, nothing, girl. 303 00:13:21,000 --> 00:13:22,266 I gave him some photos. 304 00:13:23,366 --> 00:13:24,766 Now I understand the shame. 305 00:13:25,000 --> 00:13:26,666 Not from those photos, Rita. 306 00:13:26,733 --> 00:13:28,800 I gave him photos of empty places. 307 00:13:29,233 --> 00:13:30,133 Well, you'll tell me. 308 00:13:30,200 --> 00:13:32,233 The places where we had kissed. 309 00:13:32,300 --> 00:13:33,766 [WITH IRONY]: What a cute thing. 310 00:13:34,000 --> 00:13:35,366 Don't make fun. 311 00:13:35,433 --> 00:13:37,733 No, I'm serious, I think it's a beautiful detail. 312 00:13:37,800 --> 00:13:40,700 Well, I'm not one for precious details. So let's see what I think. 313 00:13:40,766 --> 00:13:42,233 RITA: Well, you'll figure it out. 314 00:13:42,300 --> 00:13:45,066 [PICARELY]: You could give him photos of the places where you have... 315 00:13:45,133 --> 00:13:46,200 [ANNOYING]: Oh, Rita. 316 00:13:46,266 --> 00:13:48,800 Don't get like that; what is the first that has occurred to me. 317 00:13:49,033 --> 00:13:51,166 Look, it's the first birthday What happens without his father... 318 00:13:51,233 --> 00:13:53,666 ...and I would like you, Even if it wasn't expensive, it was a gift... 319 00:13:53,733 --> 00:13:54,633 ...perfect. 320 00:13:54,700 --> 00:13:56,033 Of the perfect woman. 321 00:13:56,100 --> 00:13:57,000 I didn't say that. 322 00:13:57,066 --> 00:13:58,366 But you've thought about it. 323 00:14:04,566 --> 00:14:06,566 [SOUND OF MACHINES BACKGROUND SEWING] 324 00:14:09,200 --> 00:14:11,200 [SOFT BACKGROUND MUSIC] 325 00:14:19,666 --> 00:14:21,666 [SOFT MUSIC CONTINUES] 326 00:14:29,500 --> 00:14:32,366 FRANCIS: I'm dying that it's nine o'clock. 327 00:14:35,466 --> 00:14:37,366 I don't plan to go. 328 00:14:41,800 --> 00:14:43,333 Nothing could be further from my intention... 329 00:14:43,400 --> 00:14:44,600 ...to force you. 330 00:14:44,666 --> 00:14:47,133 You have the freedom to choose. 331 00:14:48,300 --> 00:14:49,766 Luisa... 332 00:14:50,466 --> 00:14:52,133 ...if you don't come... 333 00:14:52,200 --> 00:14:54,366 ...I promise you that you will never see me again. 334 00:14:54,433 --> 00:14:56,666 And I won't be the one to insist. 335 00:14:58,733 --> 00:15:00,500 All you have to do is... 336 00:15:00,566 --> 00:15:02,366 ...give up... 337 00:15:03,033 --> 00:15:05,266 ...to what I have provided you. 338 00:15:12,066 --> 00:15:14,100 Up to you. 339 00:15:19,066 --> 00:15:21,066 [SOFT MUSIC CONTINUES] 340 00:15:26,166 --> 00:15:28,166 [SIGH AND SOB] 341 00:15:31,233 --> 00:15:33,233 [BREATHES SHORTLY] 342 00:15:44,000 --> 00:15:45,800 Where is Miss Marquez? 343 00:15:46,633 --> 00:15:47,733 I don't know, Don Emilio. 344 00:15:47,800 --> 00:15:51,066 I should be changing the displays. 345 00:15:51,133 --> 00:15:53,300 You take care of yourself, Carmen. 346 00:15:53,366 --> 00:15:54,700 But, Don Emilio, again? 347 00:15:54,766 --> 00:15:57,033 If I have to be doing my work and yours... 348 00:15:57,100 --> 00:15:59,166 [AUTHORITARY]: Because half of time does not even appear. 349 00:15:59,233 --> 00:16:00,533 Well, let Maximiliano help her. 350 00:16:00,600 --> 00:16:01,700 No, no, no. 351 00:16:01,766 --> 00:16:02,666 Don't worry. 352 00:16:02,733 --> 00:16:06,400 I just heard her protest because she has You have to do your partner's work, right? 353 00:16:06,466 --> 00:16:07,366 [ORDERS]: Help her. 354 00:16:07,433 --> 00:16:08,366 It's not necessary. 355 00:16:08,433 --> 00:16:10,133 [WARNING]: If you put a paste again... 356 00:16:10,200 --> 00:16:13,300 ...I'm going to think that the problem is yours. 357 00:16:17,000 --> 00:16:19,433 Do you have something against Maximilian? 358 00:16:22,066 --> 00:16:23,033 No. 359 00:16:23,100 --> 00:16:25,266 Well come on, get to work. 360 00:16:27,100 --> 00:16:29,266 Is it okay if we start with that one? 361 00:16:29,333 --> 00:16:31,766 [IN A DRY TONE]: I don't care. We start wherever you want. 362 00:16:32,000 --> 00:16:35,200 Oh. Today someone got up with the left foot. 363 00:16:36,800 --> 00:16:39,400 Do you care now how I get up? 364 00:16:43,033 --> 00:16:44,333 [ELEVATOR BELL] 365 00:16:54,066 --> 00:16:55,500 Excuse me. 366 00:16:55,566 --> 00:16:57,233 Carmen, I'll attend to the gentleman. 367 00:16:59,600 --> 00:17:01,600 May I know what you are doing here? 368 00:17:01,766 --> 00:17:04,033 It's not a good idea for them to see you that tense. 369 00:17:04,100 --> 00:17:06,100 Relax and smile. 370 00:17:06,166 --> 00:17:08,300 Show me some pretty gloves for my girlfriend. 371 00:17:08,666 --> 00:17:10,300 I don't think you can afford them. 372 00:17:10,500 --> 00:17:12,400 You're right about that. 373 00:17:12,466 --> 00:17:15,100 In fact, starting tomorrow, I don't even have enough money to pay my pension. 374 00:17:15,166 --> 00:17:17,000 [THREATENING]: Do you remember? 375 00:17:17,400 --> 00:17:18,733 I don't want to wait any longer. 376 00:17:19,333 --> 00:17:20,166 What do you mean? 377 00:17:20,233 --> 00:17:21,333 Do it tomorrow. 378 00:17:22,333 --> 00:17:23,800 I'll wait for you in the alley and we leave. 379 00:17:24,033 --> 00:17:25,066 It's too early. 380 00:17:25,700 --> 00:17:28,533 I don't think Blanca trusts me to give me all that money. 381 00:17:28,600 --> 00:17:30,000 I can't go in and take it away. 382 00:17:30,066 --> 00:17:31,400 He has it inside in a bank. Do you remember? 383 00:17:31,466 --> 00:17:34,166 So far it has worked for you the image of the poor abandoned son. 384 00:17:34,233 --> 00:17:35,100 [INSISTENT]: Use it. 385 00:17:35,166 --> 00:17:36,433 He gave me five hundred pesetas... 386 00:17:36,500 --> 00:17:38,400 ...not all your savings. 387 00:17:38,466 --> 00:17:39,433 We will wait... 388 00:17:39,500 --> 00:17:41,500 It's easy for you to say. 389 00:17:41,566 --> 00:17:44,166 It doesn't cost you anything to wait, right? 390 00:17:46,066 --> 00:17:47,366 [CONCILIATOR]: I will. 391 00:17:47,433 --> 00:17:48,333 But not tomorrow. 392 00:17:48,400 --> 00:17:49,666 [RAISES VOICE]: No. 393 00:17:52,333 --> 00:17:53,333 [CLEARS THROWS] 394 00:17:53,400 --> 00:17:55,000 I understand it. 395 00:17:55,066 --> 00:17:56,100 You like this life. 396 00:17:56,366 --> 00:17:57,466 You have a good job... 397 00:17:57,533 --> 00:17:59,233 ...and a mother. 398 00:17:59,366 --> 00:18:01,500 Only it turns out that actually... 399 00:18:01,566 --> 00:18:02,600 ...is not your mother. 400 00:18:03,166 --> 00:18:05,166 [JAZZ RHYTHM PLAYS] 401 00:18:05,466 --> 00:18:08,333 Imagine that he discovers that you are a fake who wants your money. 402 00:18:09,033 --> 00:18:10,500 And you have to go back to your old life. 403 00:18:10,566 --> 00:18:12,600 No job, no mother... 404 00:18:12,666 --> 00:18:14,366 ...without anything. 405 00:18:15,733 --> 00:18:17,733 [JAZZ RHYTHM ACCELERATES] 406 00:18:21,566 --> 00:18:23,233 [CUTTING]: Tomorrow. 407 00:18:25,533 --> 00:18:28,533 [SPEED UP JAZZ RHYTHM CONTINUES] 408 00:18:40,266 --> 00:18:42,266 [THE MUSIC FADES OFF] 409 00:18:42,500 --> 00:18:44,133 [KNOCKS ON THE DOOR] 410 00:18:44,566 --> 00:18:46,466 They told me to come up and see you. 411 00:18:46,533 --> 00:18:48,266 Sit down. 412 00:18:49,666 --> 00:18:52,166 Emilio informs me that you are late for work. 413 00:18:52,233 --> 00:18:54,366 And apparently it's not the first time. 414 00:18:55,400 --> 00:18:56,266 It's hard for me to get up early. 415 00:18:56,333 --> 00:18:58,733 Lack of habit, I suppose. 416 00:18:58,800 --> 00:19:00,466 Here I have your sales sheet. 417 00:19:00,533 --> 00:19:04,166 It takes very little time to look. Not a single piece of clothing since you started. 418 00:19:06,466 --> 00:19:08,733 I guess I'm still getting to work. 419 00:19:08,800 --> 00:19:10,800 I don't think so, Patricia. I think your initiative... 420 00:19:11,033 --> 00:19:14,233 ...to start working here was an outburst of pride and a spoiled child. 421 00:19:14,300 --> 00:19:15,666 you don't understand what is your place 422 00:19:15,733 --> 00:19:18,066 Do you know what's happening, Alberto? 423 00:19:18,166 --> 00:19:20,600 [WITH CONTEMPT]: Let what you believe I don't care. 424 00:19:21,133 --> 00:19:23,066 And that I don't know where my place is... 425 00:19:23,133 --> 00:19:25,133 ...we'll see. 426 00:19:25,233 --> 00:19:27,033 Maybe the one who doesn't know is you. 427 00:19:27,366 --> 00:19:28,700 You are not going to be spoiled... 428 00:19:28,766 --> 00:19:32,300 ...not one lack of punctuality and you have three days to close your first sale. 429 00:19:32,366 --> 00:19:34,633 If not, say goodbye. 430 00:19:45,566 --> 00:19:47,200 CRISTINA'S COUSIN: They have had me almost half an hour. 431 00:19:47,266 --> 00:19:49,200 That if you come out very elegant, but Alberto... 432 00:19:49,266 --> 00:19:50,133 What if you are very cute... 433 00:19:50,200 --> 00:19:51,533 CRISTINA'S COUSIN: ...but Alberto. 434 00:19:51,600 --> 00:19:53,066 CRISTINA'S COUSIN: And with what eyes he looks at you! 435 00:19:53,133 --> 00:19:54,433 CRISTINA'S COUSIN: He only has eyes for you... 436 00:19:58,333 --> 00:20:00,433 DEPENDANT: But beautiful, look. 437 00:20:01,566 --> 00:20:04,333 [UNINTELLIGIBLE DIALOGUE] 438 00:20:04,400 --> 00:20:07,266 I'm not surprised. If you look like a film artist. 439 00:20:07,333 --> 00:20:08,400 How photogenic, girl. 440 00:20:08,466 --> 00:20:11,633 No no. This was Raúl who insisted in which I also posed but I didn't want to. 441 00:20:11,700 --> 00:20:12,766 Well, that's the same thing, right? 442 00:20:13,000 --> 00:20:15,733 If it weren't for you, Raúl would not have signed with Velvet. 443 00:20:15,800 --> 00:20:17,066 [INTERRUPTS DRINK] 444 00:20:17,133 --> 00:20:18,133 Anna... 445 00:20:18,200 --> 00:20:19,500 ...wait. 446 00:20:19,566 --> 00:20:21,233 I wanted to give you this. 447 00:20:21,300 --> 00:20:22,766 an invitation for a surprise party... 448 00:20:23,000 --> 00:20:24,200 ...what do I do to Alberto... 449 00:20:24,266 --> 00:20:25,133 ...for his birthday... 450 00:20:25,200 --> 00:20:28,300 ...in two days. It's going to be a small, very special thing. 451 00:20:28,366 --> 00:20:30,300 I appreciate it but I can't. 452 00:20:30,366 --> 00:20:31,400 Why not? 453 00:20:31,466 --> 00:20:33,533 CRISTINA'S COUSIN: Ana is right, cousin. 454 00:20:34,033 --> 00:20:35,600 One of his workers at the party. 455 00:20:35,666 --> 00:20:37,266 You always so generous. 456 00:20:37,333 --> 00:20:40,533 Plus she will be more used to to the festivals. It isn't true? 457 00:20:40,733 --> 00:20:42,266 Yes. 458 00:20:44,066 --> 00:20:46,466 I can't go, I don't even have anything to wear for such an occasion. 459 00:20:46,533 --> 00:20:48,000 But that's not a problem. 460 00:20:48,066 --> 00:20:51,700 [CONVINCING]: I can leave you some of my dresses. Someone will be worth it to you. 461 00:20:52,300 --> 00:20:53,300 Thank you. 462 00:20:53,366 --> 00:20:55,500 CRISTINA'S COUSIN: Always playing fairy godmother. 463 00:21:02,066 --> 00:21:03,633 You have no choice. 464 00:21:03,700 --> 00:21:05,700 [SURPRISED]: Are you inviting a dressmaker? 465 00:21:05,766 --> 00:21:07,433 He probably doesn't even know how to waltz. 466 00:21:07,500 --> 00:21:08,500 What do you look like at the party? 467 00:21:08,566 --> 00:21:09,633 That girl... 468 00:21:09,700 --> 00:21:11,333 ...it's worth a lot, Don't belittle her. 469 00:21:11,400 --> 00:21:12,366 Well, there you. 470 00:21:12,433 --> 00:21:14,533 Have you thought What are you going to give Alberto? 471 00:21:14,600 --> 00:21:15,700 Well, I can't decide. 472 00:21:15,766 --> 00:21:17,666 CRISTINA'S COUSIN: Give her a watch. 473 00:21:17,733 --> 00:21:19,133 CRISTINA: I don't know. CRISTINA'S COUSIN: Good. 474 00:21:19,200 --> 00:21:21,100 CRISTINA'S COUSIN: Not just anyone, of course. 475 00:21:21,166 --> 00:21:23,400 CRISTINA'S COUSIN: Have you seen those from Patek Philippe? 476 00:21:37,466 --> 00:21:40,466 [STARTS RINGING A MELODIC SONG FROM THE 50'S] 477 00:21:58,633 --> 00:22:01,000 [50's SONG CONTINUES] 478 00:22:04,066 --> 00:22:05,266 ANA JOVEN: And that album? 479 00:22:05,333 --> 00:22:07,600 ALBERTO YOUNG: He brought it to me my father from Paris. 480 00:22:08,066 --> 00:22:10,066 [SONG CONTINUES] 481 00:22:10,466 --> 00:22:11,533 And what does the song say? 482 00:22:11,600 --> 00:22:13,400 Well talk about a girl her name is Ana... 483 00:22:13,466 --> 00:22:16,266 ...and that she is crazy about a certain Alberto. 484 00:22:16,333 --> 00:22:17,466 Sure. 485 00:22:18,800 --> 00:22:20,400 ALBERTO YOUNG: Close your eyes. 486 00:22:21,566 --> 00:22:23,566 [SONG CONTINUES] 487 00:22:25,233 --> 00:22:27,200 I'm going to show you Paris. 488 00:22:27,566 --> 00:22:29,366 Ready? 489 00:22:29,500 --> 00:22:30,366 Ready or not? 490 00:22:30,433 --> 00:22:32,000 Yes. 491 00:22:32,533 --> 00:22:33,500 Do you see it? 492 00:22:33,566 --> 00:22:34,400 Yes. 493 00:22:35,000 --> 00:22:36,200 Do you see it or not, Ana? 494 00:22:36,266 --> 00:22:37,300 [SHOUTING]: Yes. 495 00:22:37,366 --> 00:22:38,466 [SHOUTING]: What do you see? 496 00:22:40,133 --> 00:22:40,800 Paris. 497 00:22:41,033 --> 00:22:41,700 [SHOUTING]: Do you see it? 498 00:22:41,766 --> 00:22:42,666 [SHOUTING]: Yes. 499 00:22:42,733 --> 00:22:44,033 ALBERTO YOUNG [LAUGHS] 500 00:22:44,100 --> 00:22:46,100 [SONG CONTINUES] 501 00:22:46,300 --> 00:22:48,133 Well, one day I'm going to take you there. 502 00:22:48,200 --> 00:22:49,766 I promise you. 503 00:22:50,533 --> 00:22:52,700 [SONG CONTINUES] 504 00:22:59,100 --> 00:23:00,000 RITA: Hello. 505 00:23:01,166 --> 00:23:02,600 What are you doing? Aren't you coming to eat? 506 00:23:02,666 --> 00:23:04,666 Yes, I'm going now. 507 00:23:04,733 --> 00:23:07,033 I thought in Alberto's gift. 508 00:23:07,100 --> 00:23:08,033 I think I already have it. 509 00:23:08,100 --> 00:23:10,700 And why does he want our record player? If you already have a better one? 510 00:23:10,766 --> 00:23:12,066 [ALTERED]: What will we do... 511 00:23:12,133 --> 00:23:13,000 ...without music, Ana? 512 00:23:13,066 --> 00:23:15,400 [REASURANT]: No, woman, which is not the record player. 513 00:23:16,366 --> 00:23:17,433 It's the song. 514 00:23:18,000 --> 00:23:19,300 Oh. 515 00:23:19,366 --> 00:23:21,266 Will you help me upload it... 516 00:23:21,333 --> 00:23:23,433 ...to the roof? I also need you to help me... 517 00:23:23,500 --> 00:23:25,133 ...to grab some things from here and from there. 518 00:23:25,200 --> 00:23:27,000 Thence. And from here, eh? 519 00:23:27,066 --> 00:23:29,400 Rita: faithful friend, advisor and carrier. 520 00:23:29,466 --> 00:23:30,500 This is the latest. 521 00:23:31,133 --> 00:23:32,233 Are you going to help me or not? 522 00:23:32,500 --> 00:23:33,400 Yes. 523 00:23:34,533 --> 00:23:37,533 [SONG CONTINUES PLAYING] 524 00:23:39,400 --> 00:23:41,533 - Run. - Aren't they going to realize that things are missing? 525 00:23:41,600 --> 00:23:42,800 If they see us, don't move. 526 00:23:43,033 --> 00:23:44,500 Rita! They are eating, fast. 527 00:23:44,566 --> 00:23:45,666 Yes de la Riva arrives earlier... 528 00:23:45,733 --> 00:23:47,366 [EMPHASISING]: Rita! 529 00:23:48,533 --> 00:23:50,533 [SONG CONTINUES PLAYING] 530 00:24:00,233 --> 00:24:02,233 [SONG ENDS] 531 00:24:03,333 --> 00:24:04,366 Do you think he will like it? 532 00:24:04,433 --> 00:24:05,700 Sure. 533 00:24:05,766 --> 00:24:07,200 Paris is our dream... 534 00:24:07,266 --> 00:24:08,266 ...and that one, our song. 535 00:24:08,333 --> 00:24:11,266 I really want to see the face he makes! 536 00:24:11,733 --> 00:24:14,766 It's already here; Let's see how long it takes to get noticed. 537 00:24:15,000 --> 00:24:16,300 You be calm... 538 00:24:16,366 --> 00:24:18,200 ...and focus on doing what you do well. 539 00:24:18,266 --> 00:24:19,600 I'm good at it screw up 540 00:24:19,666 --> 00:24:22,000 In that I am number one. 541 00:24:22,566 --> 00:24:24,733 Good morning everyone. 542 00:24:26,600 --> 00:24:29,566 Well, as you already know, From now on you will work under my orders... 543 00:24:29,633 --> 00:24:32,466 ...in the creation of the new line de la Riva for Galerías Velvet. 544 00:24:33,033 --> 00:24:35,233 RAÚL [CONTINUED]: I understand. It will cost you a little... 545 00:24:35,300 --> 00:24:36,566 ...adapt to my way of working... 546 00:24:36,633 --> 00:24:41,100 ...and at my level of demand; but they will get it if they don't resist the changes. 547 00:24:41,166 --> 00:24:42,766 RAÚL: Once I have done the patterns... 548 00:24:43,000 --> 00:24:44,000 RAÚL: ...I'll leave in your hands... 549 00:24:44,066 --> 00:24:45,700 ...what for me is the most important thing: 550 00:24:45,766 --> 00:24:47,366 The finish of the garment. 551 00:24:47,433 --> 00:24:50,366 Any questions you have, They head straight... 552 00:24:50,433 --> 00:24:51,300 ...to my assistant, Mrs. Rita. 553 00:24:51,366 --> 00:24:52,500 SEAMLESS [MOCKS]: Well, let's get ready. 554 00:24:57,233 --> 00:25:00,100 [AUTHORITARY]: Do not make the mistake of underestimating his partner... 555 00:25:00,166 --> 00:25:02,300 ...because I'm not very showered, Let's say, in the last... 556 00:25:02,366 --> 00:25:03,733 ...international fashion news. 557 00:25:05,433 --> 00:25:06,533 RAÚL: That's the mistake... 558 00:25:06,600 --> 00:25:07,733 ...which I committed. 559 00:25:07,800 --> 00:25:09,166 I apologize. 560 00:25:09,533 --> 00:25:11,566 RAÚL: I have observed tailoring tests... 561 00:25:11,633 --> 00:25:14,666 ...from the last year, and I can assure you that his partner Doña Rita... 562 00:25:14,733 --> 00:25:17,766 ...on the technical side, It is simply exceptional. 563 00:25:18,800 --> 00:25:22,066 RAÚL: And that's all I need to work. Believe me. 564 00:25:22,133 --> 00:25:23,733 Let's go there. 565 00:25:23,800 --> 00:25:26,266 Show me the fabrics, please. 566 00:25:28,466 --> 00:25:30,466 [FAST SWING RHYTHM PLAYS] 567 00:25:32,666 --> 00:25:35,166 [ANGRY]: Why? raise so many expectations... 568 00:25:35,233 --> 00:25:37,033 ...if then there is nothing to fulfill them with? 569 00:25:37,100 --> 00:25:38,600 What does it mean? 570 00:25:38,666 --> 00:25:40,500 Rita, please. That lace out right now. 571 00:25:40,566 --> 00:25:42,433 Bring me something else. Find another one. Take it away. 572 00:25:42,500 --> 00:25:44,400 Well, these fabrics are... 573 00:25:44,466 --> 00:25:47,600 ...very unstimulating. The truth is, they are very unstimulating. 574 00:25:51,166 --> 00:25:53,166 [SWING SONG CONTINUES] 575 00:26:16,633 --> 00:26:18,633 [SWING SONG CONTINUES] 576 00:26:24,200 --> 00:26:26,200 [SWING SONG ENDS] 577 00:26:26,266 --> 00:26:28,500 Don Rafael and I choose these fabrics in person... 578 00:26:28,566 --> 00:26:30,033 ...one by one. 579 00:26:30,466 --> 00:26:32,700 Today, We have made more... 580 00:26:32,766 --> 00:26:35,200 ...of three thousand six hundred models with them. 581 00:26:37,133 --> 00:26:39,500 Don Rafael was an admirable businessman. And I'm sure... 582 00:26:39,566 --> 00:26:42,233 ...that you, Blanca, She is an exceptional workshop leader. 583 00:26:42,300 --> 00:26:46,100 [CUTTING]: But, no matter how you put it, I am not going to work with these fabrics. 584 00:26:48,433 --> 00:26:50,566 There are things which cannot be at this time. 585 00:26:50,633 --> 00:26:52,766 We have a full warehouse; you have to give them a way out. 586 00:26:53,000 --> 00:26:55,133 We can't jump to buy more goods. 587 00:26:55,200 --> 00:26:57,000 [RAISES VOICE]: Those fabrics don't work for me. 588 00:26:57,066 --> 00:26:58,766 Raúl, with his talent and those fabrics... 589 00:26:59,000 --> 00:27:01,233 ...I'm sure he's capable to make an excellent collection. 590 00:27:01,300 --> 00:27:03,533 At the end of the day, the key is in the cut, Am I wrong? 591 00:27:03,600 --> 00:27:04,733 Look, Mr. Ruíz... 592 00:27:04,800 --> 00:27:07,066 ...the fall of a dress It does not depend on the cut. 593 00:27:07,133 --> 00:27:09,466 I need much lighter fabrics... 594 00:27:09,533 --> 00:27:10,600 ...and other colors. 595 00:27:10,666 --> 00:27:12,200 [ALTERED]: So what do we do? 596 00:27:12,266 --> 00:27:13,633 Do we throw away the materials? 597 00:27:13,700 --> 00:27:15,733 [SCREAMS]: But not everything can depend on money. 598 00:27:15,800 --> 00:27:18,366 [SCREAMS]: The purchase of materials, yes. 599 00:27:18,433 --> 00:27:19,633 You're right. 600 00:27:19,700 --> 00:27:21,066 [SCREAMS]: Thank you. 601 00:27:21,133 --> 00:27:22,766 You're right, Mateo. 602 00:27:23,000 --> 00:27:24,633 But we must do it anyway. 603 00:27:24,700 --> 00:27:27,233 Where can we find The materials you need, Raúl? 604 00:27:28,400 --> 00:27:30,333 In Paris, where else. 605 00:27:30,400 --> 00:27:31,433 MATEO [SIRLY]: Of course, in Paris. 606 00:27:31,500 --> 00:27:32,566 MATTHEW [SARCASTIC]: Or in the southern seas. 607 00:27:32,633 --> 00:27:34,500 We'll have to go to Paris. 608 00:27:37,300 --> 00:27:39,300 [ALBERTO CAN BE HEARD WALKING AWAY] 609 00:27:43,200 --> 00:27:46,466 Tomorrow, Mr. Alberto Márquez and Mr. de la Riva will travel to Paris. 610 00:27:46,533 --> 00:27:48,566 There, they will acquire the fabrics... 611 00:27:48,633 --> 00:27:51,400 ...with which we will make the models of the new collection. 612 00:27:51,700 --> 00:27:54,000 As assistant to Mr. de la Riva, will travel... 613 00:27:54,066 --> 00:27:55,366 ...with Don Alberto and with him to Paris. 614 00:27:55,433 --> 00:27:57,300 [SCREAMING WITH SURPRISE]: Oops. 615 00:27:57,366 --> 00:27:58,200 Me to Paris? 616 00:27:58,266 --> 00:27:59,733 We started badly If the news is enough... 617 00:27:59,800 --> 00:28:01,333 ...to make her lose her nerve. 618 00:28:02,000 --> 00:28:04,033 Prepare two changes of clothes and your toiletries. 619 00:28:04,100 --> 00:28:06,566 He goes to Paris to work, not to go sightseeing. 620 00:28:07,066 --> 00:28:09,233 I will try to rise to the occasion. 621 00:28:09,300 --> 00:28:10,500 He will give his opinion only... 622 00:28:10,566 --> 00:28:12,666 ...when they ask for it. And, if possible... 623 00:28:12,733 --> 00:28:15,433 ...will avoid behaving like a cat. 624 00:28:20,366 --> 00:28:22,166 That? What do you say to me now? 625 00:28:22,233 --> 00:28:24,133 That things only happened to the rest of us. 626 00:28:24,200 --> 00:28:25,433 [EXCITED]: You're going to Paris, Rita! 627 00:28:25,500 --> 00:28:27,300 Well, I'm very happy, what am I going to say. 628 00:28:27,366 --> 00:28:29,466 Hey. That I feel bad for you. 629 00:28:29,533 --> 00:28:32,000 You have told me your dream to go to Paris with Alberto and... 630 00:28:32,066 --> 00:28:34,366 Come on. Don't be stupid. You are the designer's assistant. 631 00:28:34,433 --> 00:28:37,033 And it's a work trip. How was Alberto going to take me there? 632 00:28:37,100 --> 00:28:38,333 I'm so happy. 633 00:28:38,400 --> 00:28:40,200 To Paris! 634 00:28:40,666 --> 00:28:42,500 My mother. 635 00:28:42,566 --> 00:28:44,500 RITA: Well, I don't know. If I can finish the work... 636 00:28:44,566 --> 00:28:47,133 ...because I'm not up to that, Clara, That's because I'm going to Paris. 637 00:28:47,200 --> 00:28:49,066 RITA [EXCITED]: To Paris! With everything he has! 638 00:28:49,133 --> 00:28:50,666 And what does Paris have? 639 00:28:50,733 --> 00:28:52,033 Well, the cappuccinos. 640 00:28:52,100 --> 00:28:53,433 Well, unless it's the monks... 641 00:28:53,500 --> 00:28:54,766 The capuchins, rather in Rome. 642 00:28:55,000 --> 00:28:57,166 Oh, well, the Parisians. Those are in Paris... 643 00:28:57,233 --> 00:28:59,133 RITA: ...and I think they are gorgeous. 644 00:28:59,200 --> 00:29:01,200 If you're going to deal with Parisians, you will have to learn... 645 00:29:01,266 --> 00:29:03,133 ...some French, at least to say hello. 646 00:29:03,200 --> 00:29:04,566 You're right. 647 00:29:04,633 --> 00:29:06,333 Oh la la is French, right? 648 00:29:06,400 --> 00:29:09,533 Maybe you will need a dictionary from Benito's bookstore. 649 00:29:09,600 --> 00:29:11,233 Hey, and if you go to Paris... 650 00:29:11,300 --> 00:29:13,000 ...you're going to need some clothes, right? 651 00:29:13,066 --> 00:29:14,000 CLARA: I can leave you something. 652 00:29:14,066 --> 00:29:15,300 But if it won't help me. 653 00:29:15,366 --> 00:29:16,400 Yes, woman, but... 654 00:29:16,466 --> 00:29:17,800 Well, if I insist a little... 655 00:29:18,033 --> 00:29:20,333 CLARA: But they may be useful to you. the shoes, the socks... 656 00:29:20,400 --> 00:29:22,000 CLARA: ...or, I don't know, a nice bag. 657 00:29:22,066 --> 00:29:23,333 CLARA: Come by my room. 658 00:29:23,400 --> 00:29:24,566 Okay. 659 00:29:24,633 --> 00:29:25,466 I don't have the chance to put them on. 660 00:29:25,533 --> 00:29:27,533 You will already have other things to do while... 661 00:29:27,600 --> 00:29:29,266 - No? -Rita. 662 00:29:30,000 --> 00:29:31,533 Well, that's it. 663 00:29:31,600 --> 00:29:33,800 As soon as you have your flight reservations, I'll let you know. 664 00:29:34,033 --> 00:29:35,700 Don Mateo. 665 00:29:38,166 --> 00:29:40,200 Here is the documentation you asked for. 666 00:29:40,266 --> 00:29:41,366 Thank you. 667 00:29:44,066 --> 00:29:46,033 I'm sorry to bother you the plan afterward. 668 00:29:46,433 --> 00:29:48,433 I didn't say go to make any plans later. 669 00:29:48,500 --> 00:29:50,233 Too bad. 670 00:29:50,433 --> 00:29:52,566 [ARISCA]: I haven't said either. that I'm not going to do it. 671 00:29:53,533 --> 00:29:55,433 Have you met up with your boyfriend? 672 00:29:55,500 --> 00:29:56,400 And you with your little friend? 673 00:29:56,466 --> 00:29:58,500 I asked first. 674 00:29:59,000 --> 00:30:00,300 It's not your business. 675 00:30:00,366 --> 00:30:02,300 I wouldn't mind if it were, Clara. 676 00:30:02,366 --> 00:30:06,266 She's funnier than anyone of the girls I have on my agenda. 677 00:30:07,500 --> 00:30:10,100 [WHISPERS]: Shame on that boyfriend of yours. 678 00:30:13,000 --> 00:30:17,000 [MELODIC SONG PLAYS] 679 00:30:23,033 --> 00:30:25,033 [MELODIC SONG ENDS] 680 00:30:41,700 --> 00:30:44,700 [AMBIENT MUSIC PLAYING] 681 00:30:49,533 --> 00:30:50,533 [ELEVATOR BELL] 682 00:30:50,600 --> 00:30:54,600 [INTENSE AND TENSIONAL MUSIC PLAYS] 683 00:31:07,566 --> 00:31:08,566 [ELEVATOR BELL] 684 00:31:08,633 --> 00:31:10,566 [INTENSE MUSIC CONTINUES] 685 00:31:17,033 --> 00:31:18,033 [ELEVATOR BELL] 686 00:31:25,300 --> 00:31:27,300 [INTENSE AND DRAMATIC MUSIC CONTINUES] 687 00:31:34,666 --> 00:31:37,266 So you won't be here to celebrate your birthday, right? 688 00:31:37,333 --> 00:31:39,000 Raúl asked me. I can't refuse. 689 00:31:42,433 --> 00:31:43,733 CRISTINA [DISAPPOINTED]: Well, well... 690 00:31:43,800 --> 00:31:46,700 CRISTINA: ...we will have to search another time to celebrate. 691 00:31:46,766 --> 00:31:49,233 ANA: I'm going to wear these fabrics. 692 00:31:49,300 --> 00:31:51,033 ANA: I'll be back now. 693 00:32:02,700 --> 00:32:04,233 - Oops. - Ana, sorry. 694 00:32:04,300 --> 00:32:05,366 Nothing, don't worry. 695 00:32:05,433 --> 00:32:07,066 It hasn't been anything. 696 00:32:08,766 --> 00:32:10,766 [INTENSE MUSIC CONTINUES] 697 00:32:20,100 --> 00:32:22,100 [INTENSE MUSIC OFF] 698 00:32:22,166 --> 00:32:23,800 Thank goodness that I have given few invitations... 699 00:32:24,033 --> 00:32:25,533 ...because I'll have to call everyone... 700 00:32:25,600 --> 00:32:27,100 ...and tell them that there is no party. 701 00:32:27,166 --> 00:32:28,366 What a pity. 702 00:32:28,433 --> 00:32:29,266 Hello. 703 00:32:29,333 --> 00:32:31,166 Hello, Patricia. 704 00:32:31,500 --> 00:32:35,266 Well, I hope, at least, give him his gift before he leaves. 705 00:32:35,566 --> 00:32:38,566 You'll have to hurry because he's leaving tomorrow afternoon. 706 00:32:38,633 --> 00:32:39,466 Already. 707 00:32:39,533 --> 00:32:40,533 That's what he told me. 708 00:32:40,600 --> 00:32:42,466 Well let's see what I do. 709 00:32:45,500 --> 00:32:48,500 What if I tell you where it's going to be? right at midnight? 710 00:32:49,100 --> 00:32:50,500 [WITH INTEREST]: Tell me. 711 00:32:52,700 --> 00:32:54,700 [MELODIC SONG PLAYS] 712 00:33:29,700 --> 00:33:31,700 [MELODIC SONG ENDS] 713 00:33:31,766 --> 00:33:33,566 A dictionary, that's the first thing. 714 00:33:33,633 --> 00:33:34,700 Because with my French... 715 00:33:34,766 --> 00:33:37,433 And some glass stockings; in case we go out to dinner. How many things! 716 00:33:37,500 --> 00:33:38,766 [SPEED UP]: If I had Clara's size... 717 00:33:39,000 --> 00:33:41,600 ...he told me that he could lend me a dress, but it doesn't fit me. 718 00:33:41,666 --> 00:33:43,266 And what time it is. Hey... 719 00:33:43,333 --> 00:33:45,400 ...I'm going to help you With Alberto's gift, huh? 720 00:33:45,466 --> 00:33:47,366 Don't worry, that's almost there. 721 00:33:47,433 --> 00:33:48,633 Luisa... 722 00:33:49,200 --> 00:33:50,300 WHITE: ...a call. 723 00:33:50,366 --> 00:33:52,133 WHITE: From the hospital. 724 00:33:52,333 --> 00:33:53,733 Thank you. 725 00:33:53,800 --> 00:33:55,266 [SURPRISED]: Tomorrow? 726 00:33:55,333 --> 00:33:57,333 But how soon, right? 727 00:33:58,466 --> 00:34:01,066 Yes, they told me The clinic is very good. 728 00:34:02,200 --> 00:34:05,466 [EXCITED]: No, of course I'm happy, What's happening is that you can't hear me well... 729 00:34:07,366 --> 00:34:08,766 Hey... 730 00:34:10,133 --> 00:34:12,600 Well, there are good people, Juan... 731 00:34:13,166 --> 00:34:15,666 ...and we have been very lucky. 732 00:34:17,366 --> 00:34:20,233 Well yes, because we are going to be together. 733 00:34:20,300 --> 00:34:22,466 [EXCITED]: Of course I want to. 734 00:34:23,233 --> 00:34:25,066 I have to go. 735 00:34:25,800 --> 00:34:27,500 Yes. And me, my love. 736 00:34:27,633 --> 00:34:30,233 I love you very much. 737 00:34:30,300 --> 00:34:31,800 [WHISPERS]: I love you. 738 00:34:37,133 --> 00:34:38,133 [SIGH] 739 00:34:41,533 --> 00:34:43,533 [INTENSE MUSIC PLAYS] 740 00:34:50,800 --> 00:34:52,800 [THE INTENSE MUSIC FADES OFF] 741 00:34:54,600 --> 00:34:56,766 Turn off the lights. 742 00:34:58,600 --> 00:35:00,600 [SWITCHES ARE HEARD] 743 00:35:11,333 --> 00:35:13,133 CARMEN: But it's not fair, Don Emilio. 744 00:35:13,200 --> 00:35:14,200 [OUTRAGED]: It could have been anyone. 745 00:35:14,266 --> 00:35:15,666 EMILIO: No. 746 00:35:16,266 --> 00:35:19,666 No, miss, no. It had to be one of you. 747 00:35:20,233 --> 00:35:22,566 The robbery was committed with the galleries closed. 748 00:35:22,633 --> 00:35:25,400 The only ones who have a key of the exhibitors... 749 00:35:25,466 --> 00:35:26,700 ...they are the dependents. 750 00:35:26,766 --> 00:35:28,400 I don't need to know who the thief is... 751 00:35:28,466 --> 00:35:30,300 ...it is enough for me to return what was stolen. 752 00:35:30,366 --> 00:35:31,700 ...and, if that is so, I... 753 00:35:31,766 --> 00:35:33,666 ...I promise to let the matter go. 754 00:35:33,733 --> 00:35:35,000 Now well... 755 00:35:35,066 --> 00:35:36,366 ...if during the day tomorrow... 756 00:35:36,433 --> 00:35:38,433 ...the jewel does not return to its place... 757 00:35:38,500 --> 00:35:40,266 ...they will pay for it together. 758 00:35:40,333 --> 00:35:41,166 EMILIO [SCREAMS]: Silence. -[UNINTELLIGIBLE MUMBERS] 759 00:35:41,233 --> 00:35:43,033 EMILIO [SCREAMS]: Silence. 760 00:35:43,100 --> 00:35:45,700 EMILIO: They will be deducted of the salary to cover... 761 00:35:45,766 --> 00:35:48,400 EMILIO: ...the amount of what was stolen, that, believe me... 762 00:35:48,466 --> 00:35:50,000 EMILIO: ...it's not little. 763 00:35:50,233 --> 00:35:52,133 Now... 764 00:35:53,133 --> 00:35:55,366 ...go back to your rooms. 765 00:35:55,433 --> 00:35:57,066 Let everyone, except one, rest. 766 00:35:58,366 --> 00:35:59,666 EMILIO: And that... 767 00:35:59,733 --> 00:36:01,066 EMILIO: ...reconsider. 768 00:36:08,600 --> 00:36:10,166 CARMEN: I don't know. who has been... 769 00:36:10,233 --> 00:36:12,633 ...but of course it has gotten us everyone in a mess. 770 00:36:14,233 --> 00:36:17,266 [INDIGNATED]: Don't you care? that they take away a part of your salary? Yes to me. 771 00:36:17,333 --> 00:36:19,166 It's hard for me to earn that money. 772 00:36:19,233 --> 00:36:21,633 Besides, I need it. 773 00:36:22,733 --> 00:36:25,000 What do you need it for? 774 00:36:25,066 --> 00:36:26,333 Well... 775 00:36:26,400 --> 00:36:28,400 ...to rent an apartment. 776 00:36:28,466 --> 00:36:29,433 To get out of here. 777 00:36:29,500 --> 00:36:33,266 Or do you think I want to live door with a door with my mother all my life? 778 00:36:35,566 --> 00:36:39,366 If someone from here has taken it I'm sure it was because I needed it more than you. 779 00:36:45,233 --> 00:36:46,600 CARMEN: Max. 780 00:36:49,400 --> 00:36:52,000 [SUSPICIOUS]: Don't you have something to do with with what has happened? 781 00:36:56,733 --> 00:36:59,166 [LEAVES OUTRAGED] 782 00:37:01,733 --> 00:37:03,366 Clara. 783 00:37:05,100 --> 00:37:06,700 Clarita. 784 00:37:09,400 --> 00:37:11,100 Clara. 785 00:37:13,133 --> 00:37:15,333 Here's your man, Clara. 786 00:37:17,166 --> 00:37:18,800 [KISSING IS HEARD] 787 00:37:20,633 --> 00:37:22,100 [BREATHES SHORTLY] 788 00:37:23,466 --> 00:37:25,266 [SURPRISED]: Rita, Rita. 789 00:37:25,333 --> 00:37:26,166 Sorry. 790 00:37:26,233 --> 00:37:27,666 And your sister? I didn't know it was there. 791 00:37:27,733 --> 00:37:30,700 I hope so; that you didn't come here thinking to put on your boots with both of them. 792 00:37:31,200 --> 00:37:32,366 Clara... 793 00:37:32,433 --> 00:37:33,566 ...how do you think that about me? 794 00:37:33,633 --> 00:37:35,766 Don't justify yourself and go, go to your room. 795 00:37:41,200 --> 00:37:45,200 No, if this is going to be thought There is going to be a festival every night. 796 00:37:45,433 --> 00:37:46,433 Well, I don't know. 797 00:37:46,500 --> 00:37:47,333 You don't know what? 798 00:37:47,400 --> 00:37:49,466 What do I say, the two of you would have the festival. 799 00:37:49,533 --> 00:37:51,700 Well, some more than others. 800 00:37:52,200 --> 00:37:54,133 [SIGH]: I don't know if I did well the other night. 801 00:37:54,200 --> 00:37:56,100 Why do you say that? 802 00:37:56,166 --> 00:37:57,533 Yes Peter was the man of my life... 803 00:37:57,600 --> 00:38:00,300 ...I would have to see it now clearer than ever. 804 00:38:00,366 --> 00:38:02,300 -And you don't see it. CLARA [SIGH] 805 00:38:04,000 --> 00:38:06,000 [LIGHT SWITCH] 806 00:38:09,500 --> 00:38:11,500 [A JOYFUL SONG BEGINS PLAYING] 807 00:39:30,100 --> 00:39:32,100 [JOYFUL SONG CONTINUES] 808 00:39:40,100 --> 00:39:42,100 [JOYFUL SONG ENDS] 809 00:39:43,666 --> 00:39:45,666 [FILM PROJECTOR IS HEARD] 810 00:39:58,366 --> 00:40:00,366 [A MELODIC SONG BEGINS PLAYING] 811 00:40:32,200 --> 00:40:36,200 [MELODIC SONG CONTINUES] 812 00:41:05,600 --> 00:41:07,600 [MELODIC SONG CONTINUES] 813 00:41:34,800 --> 00:41:36,800 [MELODIC SONG CONTINUES] 814 00:42:00,733 --> 00:42:02,666 [MELODIC SONG GOES OFF] 815 00:42:02,733 --> 00:42:05,700 ALBERTO: Only you would think of such a nice gift. 816 00:42:06,100 --> 00:42:08,266 When I saw my father there playing with me... 817 00:42:08,333 --> 00:42:10,733 Where did you get these images from? 818 00:42:13,466 --> 00:42:15,666 This is not mine, Alberto. 819 00:42:17,600 --> 00:42:19,633 ANA: My gift is up on the roof. 820 00:42:19,700 --> 00:42:22,166 This must be Cristina's. 821 00:42:22,233 --> 00:42:24,166 [MELODIC SONG REAPPEARS STRONGLY] 822 00:42:39,033 --> 00:42:41,033 [MELODIC SONG CONTINUES] 823 00:43:04,266 --> 00:43:06,266 [MELODIC SONG CONTINUES] 824 00:43:13,400 --> 00:43:15,400 [MELODIC SONG ENDS] 825 00:43:24,766 --> 00:43:25,733 RITA: Apparently... 826 00:43:25,800 --> 00:43:27,366 ...believe who has been a dependent. 827 00:43:27,433 --> 00:43:28,700 But Don Emilio... 828 00:43:28,766 --> 00:43:31,133 ...let them return it before talking to Don Alberto. 829 00:43:31,200 --> 00:43:32,100 Luisa. 830 00:43:32,166 --> 00:43:34,033 A little package for the beautiful lady! 831 00:43:35,500 --> 00:43:37,333 What is it, a gift from your lover? 832 00:43:37,400 --> 00:43:38,600 RITA [IRONIC SNAP] 833 00:43:39,366 --> 00:43:41,433 I wasn't expecting anything, really. 834 00:43:47,333 --> 00:43:48,233 Do you care? 835 00:43:48,466 --> 00:43:51,033 Ah, sorry, sorry, sorry. 836 00:43:56,300 --> 00:43:58,400 Oh, daughter, forgive me. 837 00:44:05,333 --> 00:44:07,333 [DRAMATIC MUSIC] 838 00:44:19,400 --> 00:44:20,333 BLANCA [ANGRY]: How are they going to perform? 839 00:44:21,366 --> 00:44:22,600 The one with her head in Paris... 840 00:44:22,666 --> 00:44:25,100 ...the other receiving gifts at work. 841 00:44:25,166 --> 00:44:27,133 WHITE [ENERGIC]: Come on! 842 00:44:33,500 --> 00:44:34,500 [HITS THE GLASS] 843 00:44:40,633 --> 00:44:43,433 The thief does not seem willing to return what was stolen, Mrs. Blanca. 844 00:44:43,500 --> 00:44:45,166 EMILIO: There will be no other choice... 845 00:44:45,233 --> 00:44:47,433 EMILIO: ...what to record everyone's rooms. 846 00:44:47,800 --> 00:44:49,666 And when do you want to make that registration? 847 00:44:49,733 --> 00:44:51,533 Well, this seems like a good time to me... 848 00:44:51,600 --> 00:44:53,466 EMILIO: ...because each one is there working. 849 00:44:53,533 --> 00:44:55,266 EMILIO: A favor. Help me... 850 00:44:55,333 --> 00:44:57,033 ...because it seems to me... 851 00:44:57,100 --> 00:44:59,066 ...more suitable than a woman... 852 00:44:59,133 --> 00:45:01,100 ...search the women's rooms. 853 00:45:01,166 --> 00:45:02,233 Clear. 854 00:45:02,300 --> 00:45:04,233 Give me two minutes and we'll get to it. 855 00:45:04,300 --> 00:45:07,500 I have to leave organized the afternoon shift schedule. 856 00:45:12,800 --> 00:45:15,700 CUSTOMER 1: The truth It's just that it doesn't convince me too much. 857 00:45:22,733 --> 00:45:24,633 [GALANTE]: It looks perfect on you. 858 00:45:26,133 --> 00:45:27,300 Well then... 859 00:45:27,366 --> 00:45:29,733 ...prepare it for me. I'll take it. 860 00:45:33,400 --> 00:45:35,433 I'll pick it up later. 861 00:45:37,666 --> 00:45:39,533 They are going to search the rooms. 862 00:45:39,600 --> 00:45:40,433 What rooms? 863 00:45:40,500 --> 00:45:42,266 Those of all dependents. 864 00:45:42,333 --> 00:45:44,066 They want to take advantage we are here... 865 00:45:44,133 --> 00:45:47,466 ...so that whoever stole the necklace Don't have time to hide it. 866 00:45:47,733 --> 00:45:49,700 Why are you telling me? 867 00:45:50,633 --> 00:45:52,666 They haven't started yet. 868 00:46:14,166 --> 00:46:15,366 What are you doing, Don Emilio? 869 00:46:15,433 --> 00:46:17,300 I check your room as I am... 870 00:46:17,366 --> 00:46:18,700 ...registering those of the rest. 871 00:46:18,766 --> 00:46:20,133 I'm not a thief. 872 00:46:20,333 --> 00:46:21,333 All the better. 873 00:46:21,400 --> 00:46:23,266 You have nothing to fear then. 874 00:46:29,700 --> 00:46:30,800 You can't do this. 875 00:46:31,033 --> 00:46:33,133 Do you think it is better to put to the police on this... 876 00:46:33,200 --> 00:46:34,166 EMILIO: ...instead of doing it... 877 00:46:34,233 --> 00:46:35,366 EMILIO: ...behind closed doors? 878 00:46:56,433 --> 00:46:59,433 [CUT]: You have five minutes to convince me not to give you away. 879 00:47:00,666 --> 00:47:02,666 [INSISTENT]: Come on, talk! 880 00:47:05,266 --> 00:47:08,333 Surely Don Emilio He will be happy to find the culprit. 881 00:47:08,400 --> 00:47:09,433 He's not going to tell you anything. 882 00:47:10,500 --> 00:47:11,500 [SURPRISED]: Oh no? 883 00:47:11,566 --> 00:47:13,166 And for what reason, tell me? 884 00:47:13,233 --> 00:47:14,800 Aren't you thinking of threatening me? 885 00:47:16,233 --> 00:47:18,000 Of course not! 886 00:47:20,400 --> 00:47:22,066 And that's why he took her? 887 00:47:22,133 --> 00:47:25,233 Was I afraid that if they kicked me out Was I going to say she was my mother? 888 00:47:30,633 --> 00:47:33,233 He asked me to stay away from Carmen and I did. 889 00:47:33,300 --> 00:47:35,266 He asked me not to say who he was. and I did it. 890 00:47:35,333 --> 00:47:37,000 What more do you want to trust me? 891 00:47:37,066 --> 00:47:39,500 [AIRADA]: That you behave as an honest person... 892 00:47:39,566 --> 00:47:40,700 ...instead of like a thief. 893 00:47:40,766 --> 00:47:42,100 I had no choice. 894 00:47:43,266 --> 00:47:44,500 MAX: I already told you that I owe money. 895 00:47:44,566 --> 00:47:46,800 I gave you money to pay your debts. 896 00:47:47,166 --> 00:47:49,066 It wasn't enough. 897 00:47:50,600 --> 00:47:52,466 [COMPLAINING]: If I don't pay the debt, they kill me. 898 00:47:53,400 --> 00:47:56,000 MAX: What did you want me to do? 899 00:47:58,700 --> 00:48:01,300 Why didn't you tell me anything? 900 00:48:04,366 --> 00:48:07,000 Because you made it very clear to me that he wasn't going to give me more money. 901 00:48:07,066 --> 00:48:09,200 I didn't want him to think I'm a freeloader. 902 00:48:09,266 --> 00:48:11,533 Clear. It's better to be a thief. 903 00:48:12,300 --> 00:48:13,300 [SIGH] 904 00:48:13,800 --> 00:48:14,800 [ORDER]: Go up... 905 00:48:15,033 --> 00:48:16,533 ...and put this in its place. 906 00:48:16,600 --> 00:48:20,100 BLANCA: And I'm not going to tell him anything. Don Emilio, nor you either. 907 00:48:21,000 --> 00:48:23,100 BLANCA: When are they coming back for the money? 908 00:48:23,166 --> 00:48:24,633 Tomorrow. 909 00:48:25,466 --> 00:48:27,433 Good. I'll take care of everything. 910 00:48:29,133 --> 00:48:31,733 I don't want to find you in a ditch tomorrow. 911 00:48:37,100 --> 00:48:38,500 [ORDERS]: Come on. Don't be late. 912 00:48:54,300 --> 00:48:56,733 PATRICIA: Well yes, mother. It's a shame it went wrong. 913 00:48:57,200 --> 00:48:59,133 And if it had turned out well, what? 914 00:49:00,000 --> 00:49:02,700 Well, in that case Cristina I would have discovered them... 915 00:49:02,766 --> 00:49:04,200 ...he would have broken his engagement... 916 00:49:04,266 --> 00:49:05,166 ...and goodbye, Alberto. 917 00:49:05,233 --> 00:49:06,166 Clear. 918 00:49:06,233 --> 00:49:08,133 And goodbye to Cristina's father's money. 919 00:49:08,200 --> 00:49:10,200 And goodbye to the only possibility to move forward... 920 00:49:10,266 --> 00:49:11,633 ...the business. 921 00:49:12,433 --> 00:49:13,533 Well, seen like that. 922 00:49:13,800 --> 00:49:16,366 [ALTERED]: But, how do you want to see it, my daughter? 923 00:49:16,433 --> 00:49:18,633 Don't you remember What your father told you? 924 00:49:18,700 --> 00:49:20,400 "The head is not only useful for combing one's hair." 925 00:49:20,466 --> 00:49:22,233 [TIRED]: Oh, mother, Don't talk to me like that. 926 00:49:22,466 --> 00:49:24,466 [SHOUTS]: What business do you want to run... 927 00:49:24,533 --> 00:49:26,433 ...if we have to close it due to debts? 928 00:49:27,366 --> 00:49:29,366 I've already told you I'm sorry; that I didn't think about it. 929 00:49:29,433 --> 00:49:31,766 If you don't think, my daughter: That's the problem. 930 00:49:32,000 --> 00:49:34,733 GLORIA: That's why your father didn't trust you. 931 00:49:34,800 --> 00:49:37,633 GLORIA: Too much ambition and too little brain. 932 00:49:37,733 --> 00:49:39,433 I will never lead the galleries, right? 933 00:49:39,500 --> 00:49:41,600 Well of course not, my daughter. The galleries... 934 00:49:41,666 --> 00:49:43,300 GLORIA: ...I will direct them, as is natural. 935 00:49:43,366 --> 00:49:44,366 Me too? 936 00:49:45,466 --> 00:49:48,000 Well, calm down because you You will never lack money. 937 00:49:48,066 --> 00:49:50,600 I'll look for some occupation for you so you don't get bored. 938 00:49:50,666 --> 00:49:52,633 Madam, your visitor is waiting for you in the living room. 939 00:49:52,700 --> 00:49:54,633 [HIGH]: Thank you. 940 00:50:00,466 --> 00:50:02,200 GLORIA: You will say. 941 00:50:03,233 --> 00:50:05,333 They have not met outside the galleries... 942 00:50:05,400 --> 00:50:07,066 ...that I can assure you. 943 00:50:07,133 --> 00:50:09,033 DETECTIVE: They haven't even left there together. 944 00:50:09,100 --> 00:50:10,433 DETECTIVE: I watched the door. 945 00:50:11,166 --> 00:50:13,200 The front door? 946 00:50:13,366 --> 00:50:14,200 Yes. 947 00:50:14,266 --> 00:50:16,200 What do you think, they are going to come out... 948 00:50:16,266 --> 00:50:18,000 ...through the main door of the bracete... 949 00:50:18,066 --> 00:50:20,633 ...my stepson and that dressmaker? That they kiss in front of everyone? 950 00:50:20,700 --> 00:50:22,633 GLORIA [ANGRY]: The door you must watch... 951 00:50:22,700 --> 00:50:24,600 GLORIA [ANGRY]: ...it's the one in the alley. 952 00:50:24,666 --> 00:50:26,800 GLORIA [ANGRY]: There is a street from where you see it. 953 00:50:27,300 --> 00:50:28,266 As you say. 954 00:50:28,333 --> 00:50:29,366 I'll pay you half. 955 00:50:29,433 --> 00:50:30,266 [CONTRACTED]: But, ma'am. 956 00:50:30,333 --> 00:50:32,100 You only know how to watch... 957 00:50:32,166 --> 00:50:34,166 ...and deductions The rest of us must do them. 958 00:50:34,233 --> 00:50:36,233 [CUTTING]: Half work, half fees. 959 00:50:36,300 --> 00:50:37,333 Good morning. 960 00:50:44,466 --> 00:50:46,466 -My father told me that... - Thank you for... 961 00:50:46,533 --> 00:50:49,466 My father told me that you called this morning several times. 962 00:50:49,533 --> 00:50:53,366 I wanted to thank you for the gift. I liked it a lot. 963 00:50:53,700 --> 00:50:55,633 It's perfect. 964 00:50:56,066 --> 00:50:56,766 [HESISTS]: You say it... 965 00:50:57,000 --> 00:50:59,433 ...as if you were sorry. 966 00:51:03,433 --> 00:51:05,800 I really liked seeing my father. 967 00:51:06,033 --> 00:51:07,033 CRISTINA [SIGH] 968 00:51:07,266 --> 00:51:09,366 Happy birthday. 969 00:51:16,200 --> 00:51:18,366 [EXCITED]: You had I have seen it, Ana. 970 00:51:18,433 --> 00:51:20,166 He loved it. It's just... 971 00:51:20,233 --> 00:51:22,300 ...he was about to get excited about... 972 00:51:22,366 --> 00:51:24,166 ...the sparkle in the eyes. 973 00:51:24,233 --> 00:51:26,066 I'm very happy to hear it. 974 00:51:26,133 --> 00:51:27,233 Phew! 975 00:51:27,300 --> 00:51:30,166 And to think that I was close to give him a watch. Oh! 976 00:51:30,600 --> 00:51:31,533 I'm sorry. 977 00:51:32,000 --> 00:51:34,100 Nothing, nothing. No problem. 978 00:51:38,500 --> 00:51:39,233 Hello. 979 00:51:39,300 --> 00:51:40,533 Hello. 980 00:51:40,600 --> 00:51:42,800 I really like how you work, Ana. 981 00:51:43,033 --> 00:51:43,500 Thank you. 982 00:51:43,566 --> 00:51:46,466 Isn't it true? It's helping me a lot; She is a gem of a girl. 983 00:51:46,533 --> 00:51:48,000 Yes. I believe it too. 984 00:51:48,066 --> 00:51:50,266 You're going to have to do without from her until Friday. 985 00:51:50,333 --> 00:51:51,166 I'm taking it to Paris. 986 00:51:51,233 --> 00:51:52,233 [SURPRISED]: What? 987 00:51:52,300 --> 00:51:53,300 But, let's see... 988 00:51:53,366 --> 00:51:54,400 ...wasn't Rita going? 989 00:51:54,466 --> 00:51:56,166 Yes, but I've changed my mind. 990 00:51:56,233 --> 00:51:57,166 RAÚL: Rita is wonderful... 991 00:51:57,233 --> 00:51:59,600 RAÚL: ...but Ana is going to help me much more on the trip. 992 00:51:59,666 --> 00:52:01,400 No no. 993 00:52:01,466 --> 00:52:03,200 Raul. You can't do this to me. 994 00:52:03,266 --> 00:52:05,066 - Yes. RAÚL: Relax. It will be two days. 995 00:52:05,133 --> 00:52:07,433 ...and you will also be with me when the occasion deserves it. 996 00:52:07,500 --> 00:52:08,566 The wedding is imminent. 997 00:52:08,633 --> 00:52:11,200 [TRANSQUILING HER]: Relax, No, Ana can't work. 998 00:52:11,266 --> 00:52:13,300 So, that's it. Stand straight. 999 00:52:13,366 --> 00:52:16,400 I just wanted you to know; I'm leaving because I have a lot of work. 1000 00:52:16,466 --> 00:52:17,433 Very good choice... 1001 00:52:17,500 --> 00:52:19,333 ...the French sleeve. 1002 00:52:20,266 --> 00:52:21,400 [INDIGNATED]: Wow, what about this? 1003 00:52:21,466 --> 00:52:22,666 Very sorry. 1004 00:52:23,133 --> 00:52:25,433 CRISTINA: No, if it's not your fault, Ana. 1005 00:52:25,800 --> 00:52:27,700 I'm going to talk to Alberto. 1006 00:52:34,300 --> 00:52:36,033 Rita. 1007 00:52:37,800 --> 00:52:39,000 CRISTINA: Why her? 1008 00:52:39,066 --> 00:52:40,500 ALBERTO: But, what do I do? 1009 00:52:40,566 --> 00:52:42,566 If the future of galleries It depends on your friend. 1010 00:52:42,633 --> 00:52:43,633 What I do? 1011 00:52:43,700 --> 00:52:45,633 Do I go against him by denying him what you ask me? 1012 00:52:45,700 --> 00:52:47,266 But Raúl... 1013 00:52:47,333 --> 00:52:49,666 ...can be taken to any other of the galleries. 1014 00:52:49,733 --> 00:52:51,800 - I can't be without Ana. ALBERTO: He has chosen her. 1015 00:52:52,033 --> 00:52:54,600 The collection is the most important thing now. Cristina, understand. 1016 00:52:54,666 --> 00:52:56,666 - I know, but we're short on time. - Listen. 1017 00:52:57,633 --> 00:53:00,566 [INSISTENT]: The wedding can wait, the collection no. It must be... 1018 00:53:00,633 --> 00:53:02,233 ...for the beginning of the season. 1019 00:53:02,300 --> 00:53:03,366 [SIGH]: Oh. 1020 00:53:03,433 --> 00:53:05,000 I already know. 1021 00:53:05,066 --> 00:53:07,300 But, what is Raúl's departure for? 1022 00:53:07,366 --> 00:53:09,500 Why precisely Ana? 1023 00:53:11,166 --> 00:53:14,066 You were the one who told him about Ana's talent, right? 1024 00:53:14,500 --> 00:53:16,133 You wanted me to give him more chances. 1025 00:53:16,200 --> 00:53:18,800 This is what it is doing: give him more opportunities. 1026 00:53:22,300 --> 00:53:23,466 [CLAUDICA]: Okay. 1027 00:53:23,533 --> 00:53:24,666 Thank you so much. 1028 00:53:48,633 --> 00:53:50,633 [ENGINE CAN BE HEARD STARTING] 1029 00:54:09,266 --> 00:54:10,800 What's wrong with you? 1030 00:54:11,566 --> 00:54:13,466 Are you not happy? 1031 00:54:17,000 --> 00:54:19,233 We're going to Paris, Ana. 1032 00:54:22,533 --> 00:54:24,433 All our lives saying that we would go to Paris... 1033 00:54:24,500 --> 00:54:26,033 ...and this is when we leave, Ana. 1034 00:54:26,100 --> 00:54:27,433 Without giving explanations. 1035 00:54:27,500 --> 00:54:28,733 - You and me alone. - And without Cristina. 1036 00:54:28,800 --> 00:54:31,133 I already saw how you kissed her. 1037 00:54:32,300 --> 00:54:33,433 [CHANGING] 1038 00:54:34,466 --> 00:54:36,233 [MURMURS]: I'm sorry. 1039 00:54:39,633 --> 00:54:43,033 Sometimes I forget everything bad that you have to be going through it. 1040 00:54:45,566 --> 00:54:48,433 [WHISPERS]: That's why we need this trip, Ana. 1041 00:54:50,133 --> 00:54:52,233 [WHISPERS]: Just be you and I alone. 1042 00:54:53,300 --> 00:54:55,300 [WHISPERS]: Like a normal couple. 1043 00:54:58,500 --> 00:55:00,233 Were you the one who told de la Riva? 1044 00:55:00,300 --> 00:55:02,400 That it was me instead of Rita? 1045 00:55:05,300 --> 00:55:07,533 I told him I was looking a special fabric for Cristina... 1046 00:55:07,600 --> 00:55:11,400 ...and that he wanted to go to Paris to find her and who better than you to help me. 1047 00:55:12,800 --> 00:55:13,700 You have no choice. 1048 00:55:13,766 --> 00:55:16,066 Best of all, he said yes. 1049 00:55:16,133 --> 00:55:17,633 And everyone thinks it's their thing. 1050 00:55:17,700 --> 00:55:20,000 I am out of danger. 1051 00:55:21,066 --> 00:55:23,200 But I know it. 1052 00:55:25,433 --> 00:55:27,066 You're not going to tell Cristina, are you? 1053 00:55:27,133 --> 00:55:28,466 No. 1054 00:55:35,066 --> 00:55:36,133 I feel bad for Rita. 1055 00:55:36,200 --> 00:55:37,800 I was so excited. 1056 00:55:42,733 --> 00:55:45,166 But what are you doing, miss? Get off immediately. 1057 00:55:45,233 --> 00:55:47,266 let me speak, I assure you that you will be interested... 1058 00:55:47,333 --> 00:55:48,500 - ...what I want to tell you. - I'm working. 1059 00:55:49,066 --> 00:55:50,633 Yes, yes. I see it now. 1060 00:55:50,700 --> 00:55:52,366 But it is in your best interest to listen to me. 1061 00:55:52,433 --> 00:55:54,000 DETECTIVE: This is none of your business. 1062 00:55:54,066 --> 00:55:55,200 DETECTIVE: Get off. 1063 00:55:55,266 --> 00:55:57,233 He thinks my mother will pay him for those photographs... 1064 00:55:57,300 --> 00:55:59,200 ...but the truth is that it won't. 1065 00:55:59,266 --> 00:56:00,700 Because he's broke. 1066 00:56:04,200 --> 00:56:06,100 It doesn't seem like it. 1067 00:56:06,166 --> 00:56:07,266 Also... 1068 00:56:07,333 --> 00:56:08,733 ...I don't have to believe her. 1069 00:56:08,800 --> 00:56:10,566 So please... 1070 00:56:12,033 --> 00:56:13,100 No? 1071 00:56:13,166 --> 00:56:14,766 And don't you think What if I had money... 1072 00:56:15,000 --> 00:56:17,733 ...I shouldn't be dressed as a shop assistant? 1073 00:56:27,466 --> 00:56:29,800 DETECTIVE: If your mother doesn't pay me... 1074 00:56:30,033 --> 00:56:32,300 DETECTIVE: ...I'll find who buys them for me. 1075 00:56:32,366 --> 00:56:33,300 DETECTIVE: Don't worry. 1076 00:56:33,366 --> 00:56:34,266 Well... 1077 00:56:34,333 --> 00:56:36,466 ...well you've already found it. 1078 00:56:36,800 --> 00:56:39,100 Here is a first payment. 1079 00:56:39,166 --> 00:56:41,466 The rest when they pay me my salary. 1080 00:56:41,533 --> 00:56:44,100 In exchange for those photographs, of course. 1081 00:56:56,100 --> 00:56:58,300 PEDRO [EXCITED]: Rita, I want to tell you something important. 1082 00:56:58,366 --> 00:57:00,666 You will have noticed that Clara and I we are much better. 1083 00:57:01,400 --> 00:57:03,300 Well, not much last night. 1084 00:57:03,366 --> 00:57:05,333 But the other night... 1085 00:57:05,400 --> 00:57:06,733 I talk to you from the other night... 1086 00:57:06,800 --> 00:57:08,366 ...because I can tell you everything. And the other night... 1087 00:57:08,433 --> 00:57:09,466 [CUTTING]: No, Pedro. 1088 00:57:09,533 --> 00:57:12,400 ...my sister the other night, no. There are things that should not be told. 1089 00:57:12,466 --> 00:57:14,600 Forgive, forgive, forgive. I'm very happy. 1090 00:57:14,666 --> 00:57:17,000 Look what I've achieved. 1091 00:57:17,066 --> 00:57:18,566 A rental apartment. 1092 00:57:18,633 --> 00:57:20,233 I have been doing calculations... 1093 00:57:20,300 --> 00:57:21,766 ...and maybe we will go a bit fair... 1094 00:57:22,000 --> 00:57:23,666 ...because, between my messenger salary... 1095 00:57:23,733 --> 00:57:24,733 ...and they don't want to promote me... 1096 00:57:24,800 --> 00:57:27,233 But Clara is earning more than before and, look... 1097 00:57:27,300 --> 00:57:29,633 ...I believe that between the two of us, we can. 1098 00:57:29,700 --> 00:57:31,500 [SURPRISED]: But but how are you going to go... 1099 00:57:31,566 --> 00:57:33,566 ...to live together before being married? 1100 00:57:33,633 --> 00:57:37,000 PETER: Well, It's like we were married. 1101 00:57:38,800 --> 00:57:40,566 PEDRO [STRANGED]: What's wrong, Rita? 1102 00:57:44,433 --> 00:57:46,066 [CRYING]: That makes me very sad... 1103 00:57:46,133 --> 00:57:48,600 ...not being able to go to Paris and that's it. 1104 00:57:52,366 --> 00:57:54,366 [SOBBING] 1105 00:57:54,666 --> 00:57:56,300 Rita! 1106 00:57:57,433 --> 00:58:00,333 [CRYING HEARTBACK] 1107 00:58:03,100 --> 00:58:05,033 [CRYING HEARTBACK] 1108 00:58:07,733 --> 00:58:10,366 Rita, I'm sorry. I know how excited you were to see Paris. 1109 00:58:11,066 --> 00:58:13,233 [SOBBING]: But it wasn't about seeing Paris, Ana. 1110 00:58:13,300 --> 00:58:15,800 [SOBBING]: It wasn't about not seeing Paris, It was not seeing Pedro. 1111 00:58:16,033 --> 00:58:20,366 [SOBBING]: I have to get it out of my head. and forget about him once and for all... 1112 00:58:20,433 --> 00:58:22,166 [SOBBING]: ...and seeing it every day I can't. 1113 00:58:22,733 --> 00:58:25,500 RITA [SOBBING]: I can't, I really can't. 1114 00:58:27,466 --> 00:58:29,666 [SILPS TEARS]: I know That sounds naive, but... 1115 00:58:29,733 --> 00:58:32,600 ...what do I know, I thought I would leave to Paris for a few days he was going to help me... 1116 00:58:32,666 --> 00:58:34,466 ...to forget it. 1117 00:58:34,533 --> 00:58:36,233 [SOBBING]: And that's it. 1118 00:58:38,466 --> 00:58:40,500 RITA [SOBBING]: Goodbye, Paris. 1119 00:58:43,666 --> 00:58:45,366 What's the matter? What a face you have. 1120 00:58:45,433 --> 00:58:47,200 PEDRO: No, nothing to me, to your sister 1121 00:58:47,266 --> 00:58:48,666 What's wrong with my sister? 1122 00:58:48,733 --> 00:58:52,566 That I was talking to her calmly and right off the bat he started crying. 1123 00:58:54,333 --> 00:58:55,766 I don't know. 1124 00:58:57,633 --> 00:58:59,266 RITA: I don't know what happened to me. 1125 00:58:59,333 --> 00:59:02,533 Poor Pedro told me about his plans, but I didn't even listen to him. 1126 00:59:02,600 --> 00:59:06,500 I could only think that I was left without trip to Paris. With the illusion that I had. 1127 00:59:06,566 --> 00:59:08,100 And I started to cry. 1128 00:59:08,300 --> 00:59:10,133 You deserved it more. And you know it. 1129 00:59:10,200 --> 00:59:13,033 I don't know why he takes her. It's a bit suspicious, really. 1130 00:59:13,100 --> 00:59:15,400 No. That de la Riva asked for it. Yes it is normal. 1131 00:59:15,466 --> 00:59:16,466 He has said it himself. 1132 00:59:16,533 --> 00:59:19,500 I have no idea about designers or Paris. 1133 00:59:19,566 --> 00:59:22,466 With what you are worth, I'm sure you're going to Paris sooner than you think. 1134 00:59:22,533 --> 00:59:24,500 That's if he doesn't hire you a house first... 1135 00:59:24,566 --> 00:59:25,766 ...from there, anything can happen. 1136 00:59:26,000 --> 00:59:27,100 You say that to encourage me. 1137 00:59:27,166 --> 00:59:30,133 Yes, but I also say it because I think it's going to happen. 1138 00:59:30,366 --> 00:59:32,666 Hey, and what plans did Pedro tell you? 1139 00:59:33,633 --> 00:59:35,266 [INSISTS]: Rita. 1140 00:59:38,233 --> 00:59:40,400 He has taken it into his head to rent an apartment. 1141 00:59:40,666 --> 00:59:42,133 He wants you to live together. 1142 00:59:42,200 --> 00:59:44,333 You know, a home. 1143 00:59:45,033 --> 00:59:45,700 [SCARED]: Rita, help me. 1144 00:59:45,766 --> 00:59:46,600 As...? 1145 00:59:46,666 --> 00:59:47,500 No. You have... 1146 00:59:47,566 --> 00:59:49,666 ...than make him change his mind and tell him no... 1147 00:59:49,733 --> 00:59:51,733 ...can go so fast. 1148 00:59:51,800 --> 00:59:53,400 And shouldn't you make him see it? 1149 00:59:53,466 --> 00:59:55,366 He pays more attention to you. 1150 00:59:55,433 --> 00:59:56,333 [NO CONVICTION]: I don't know. 1151 00:59:56,666 --> 00:59:58,166 Thank you very much, Rita; you are a sun 1152 00:59:58,233 --> 01:00:02,100 I haven't told you that I'm going to talk to him, I told you that I don't know if I will talk to him. 1153 01:00:06,000 --> 01:00:09,000 [STARTS RINGING THE MELODIC SONG OF ALBERTO AND ANA] 1154 01:00:20,700 --> 01:00:22,633 So this was your gift, right? 1155 01:00:26,166 --> 01:00:29,166 [MELODIC SONG CONTINUES FROM ALBERTO AND ANA] 1156 01:01:05,300 --> 01:01:08,300 [MELODIC SONG CONTINUES FROM ALBERTO AND ANA] 1157 01:01:30,600 --> 01:01:33,600 [THE MELODIC SONG OF ALBERTO AND ANA IS GOING OFF] 1158 01:01:33,666 --> 01:01:37,200 RITA: My God, what debauchery! 1159 01:01:37,766 --> 01:01:38,700 Rita. 1160 01:01:38,766 --> 01:01:40,566 SEAMLESS 1: They were asking about you. 1161 01:01:40,633 --> 01:01:43,100 SEAMLESS 1: Don Alberto He wants to see you in his office. 1162 01:01:50,333 --> 01:01:51,333 [KNOCKS ON THE DOOR] 1163 01:01:51,433 --> 01:01:53,166 Go ahead. 1164 01:01:53,700 --> 01:01:55,500 With permission. 1165 01:01:55,766 --> 01:01:58,033 Rita, I called you about the trip to Paris. 1166 01:01:58,100 --> 01:02:00,633 You don't have to give me any explanation. 1167 01:02:02,133 --> 01:02:05,366 No no. He didn't understand me, you come too. 1168 01:02:06,366 --> 01:02:08,433 I appreciate it very much, really, Don Alberto... 1169 01:02:08,500 --> 01:02:10,400 ...but I don't want to cause no inconvenience. 1170 01:02:10,466 --> 01:02:12,400 It does not cause any inconvenience, please. 1171 01:02:12,466 --> 01:02:15,033 On the contrary, it will be very helpful to us. 1172 01:02:16,266 --> 01:02:18,766 Ana will help her with everything she needs. 1173 01:02:19,133 --> 01:02:21,066 [EXCITED]: I don't know what to say. 1174 01:02:21,633 --> 01:02:23,200 Hurry up and pack your suitcase. 1175 01:02:23,266 --> 01:02:24,266 We left this afternoon. 1176 01:02:24,333 --> 01:02:26,033 Thank you. 1177 01:02:29,000 --> 01:02:30,100 ANA: Do you take this one? 1178 01:02:30,166 --> 01:02:31,033 Rita, don't start. 1179 01:02:31,100 --> 01:02:32,400 That this is not decency. 1180 01:02:32,466 --> 01:02:33,433 - Man. - Stop, Rita. 1181 01:02:33,500 --> 01:02:34,333 I like this one better. 1182 01:02:34,400 --> 01:02:36,733 [LAUGHING]: See? It's more grandmotherly. 1183 01:02:36,800 --> 01:02:38,066 And this... 1184 01:02:38,133 --> 01:02:39,200 ...it's totally sexy. 1185 01:02:39,266 --> 01:02:41,700 - Parisian, Parisian. - A dressing gown. 1186 01:02:42,500 --> 01:02:43,466 Dude, in the end... 1187 01:02:43,533 --> 01:02:44,500 Yes, yes. 1188 01:02:44,566 --> 01:02:46,233 I am informed. 1189 01:02:46,300 --> 01:02:47,700 Can you come for a second? 1190 01:02:47,766 --> 01:02:49,566 Clear. 1191 01:02:55,100 --> 01:02:57,533 I hope you enjoy the trip... 1192 01:02:57,600 --> 01:03:00,000 ...and don't let me down. 1193 01:03:00,066 --> 01:03:02,133 I am convinced that Don Alberto... 1194 01:03:02,200 --> 01:03:04,500 ...has nothing to do with in the fact that you are... 1195 01:03:04,566 --> 01:03:07,033 ...you are the one who goes on that trip. 1196 01:03:07,100 --> 01:03:09,300 But Rita is also coming. 1197 01:03:11,300 --> 01:03:13,633 He is a promised man. 1198 01:03:14,166 --> 01:03:16,766 And you are a decent girl... 1199 01:03:17,200 --> 01:03:18,700 ...I hope. 1200 01:03:19,300 --> 01:03:20,766 TRUE? 1201 01:03:22,300 --> 01:03:24,366 [CUTTING]: But don't forget it. 1202 01:03:24,700 --> 01:03:25,766 ...not even in Paris... 1203 01:03:26,000 --> 01:03:26,700 ...nor ever. 1204 01:03:35,200 --> 01:03:36,100 LUISA: Good morning. 1205 01:03:36,166 --> 01:03:37,133 CAYETANA: Good morning, daughter. 1206 01:03:37,500 --> 01:03:39,600 But what a worn-out face you have. 1207 01:03:39,666 --> 01:03:41,300 I'm fine, Mrs. Cayetana. 1208 01:03:41,366 --> 01:03:43,433 I bring you the dress. I hope you like it. 1209 01:03:43,500 --> 01:03:44,633 For sure yes. 1210 01:03:44,700 --> 01:03:46,466 And I hope you keep the secret from me. 1211 01:03:46,533 --> 01:03:48,700 I love to fuck a dress from last season... 1212 01:03:48,766 --> 01:03:49,766 ...make him some changes... 1213 01:03:50,000 --> 01:03:51,266 ...and wow, like new. 1214 01:03:51,333 --> 01:03:53,133 I won't say anything, don't worry. 1215 01:03:53,200 --> 01:03:55,666 It will be our secret. 1216 01:03:55,733 --> 01:03:57,700 FRANCIS [LAUGHS] -If you want to try it on... 1217 01:04:01,100 --> 01:04:02,100 I'll leave it here. 1218 01:04:02,166 --> 01:04:04,300 Thank you so much. 1219 01:04:05,200 --> 01:04:06,100 Shall I help her to...? 1220 01:04:06,166 --> 01:04:09,000 No no. No need, Luisa, thank you. 1221 01:04:16,500 --> 01:04:18,500 [INTENSE MUSIC PLAYS] 1222 01:04:24,266 --> 01:04:25,633 Have you been all day thinking of me? 1223 01:04:28,366 --> 01:04:30,600 [WHISPERS]: Not here, Don Francisco, I ask you please. 1224 01:04:32,400 --> 01:04:34,233 [WHISPERS]: Have you worn what I gave you? 1225 01:04:36,666 --> 01:04:38,333 [PLEASED]: Let me go, please! 1226 01:04:38,400 --> 01:04:39,266 LUISA [PLEASED]: Let me go. 1227 01:04:39,333 --> 01:04:41,333 Ssss. 1228 01:04:41,500 --> 01:04:44,066 [WHISPERS]: Don't make a fuss, huh? 1229 01:04:44,666 --> 01:04:47,033 It wouldn't be good for your job. 1230 01:04:47,100 --> 01:04:48,533 [WHISPERS]: Also... 1231 01:04:48,600 --> 01:04:52,300 Who is going to believe you, Poor thing, if you scream? 1232 01:04:53,500 --> 01:04:55,166 FRANCISCO [WHISPERS]: The one from the pension... 1233 01:04:55,433 --> 01:04:57,366 ...he will say that last night... 1234 01:04:58,100 --> 01:05:00,100 ...you came to see me. 1235 01:05:01,766 --> 01:05:03,766 FRANCIS [BREATHES BUTTERFULLY] 1236 01:05:07,366 --> 01:05:09,366 [TENSION MUSIC] 1237 01:05:13,233 --> 01:05:15,066 [SURPRISED]: Doña Blanca. 1238 01:05:18,233 --> 01:05:20,800 Tell my wife I'll wait for her at the bar. 1239 01:05:30,433 --> 01:05:32,433 [TENSION MUSIC] 1240 01:05:37,466 --> 01:05:40,166 You can't imagine how much I'm going to miss you. 1241 01:05:40,233 --> 01:05:42,400 You know if it wasn't important... 1242 01:05:42,466 --> 01:05:44,000 [HESITES]: ...no... 1243 01:05:44,066 --> 01:05:45,033 ...I wouldn't go. 1244 01:05:45,100 --> 01:05:48,533 Important, important. 1245 01:05:48,733 --> 01:05:51,633 It's not that I don't want to be separated from you. 1246 01:05:53,733 --> 01:05:55,433 But you can take me with you. 1247 01:05:55,500 --> 01:05:57,033 I wish I could! 1248 01:05:57,100 --> 01:05:58,333 but you know How is the company? 1249 01:05:58,400 --> 01:05:59,500 CRISTINA: Take me. 1250 01:05:59,566 --> 01:06:01,233 I'm sorry to break this moment, couple... 1251 01:06:01,300 --> 01:06:03,066 MATEO: ...but it's time. 1252 01:06:03,733 --> 01:06:04,566 Come on. 1253 01:06:06,133 --> 01:06:07,700 CRISTINA [SURPRISED]: Hey. 1254 01:06:08,600 --> 01:06:09,600 That? 1255 01:06:10,700 --> 01:06:11,533 That? 1256 01:06:19,533 --> 01:06:21,233 Come on. 1257 01:06:23,033 --> 01:06:25,033 [YOU HEAR THEM GOING AWAY] 1258 01:06:26,400 --> 01:06:27,400 [SIGH] 1259 01:06:28,066 --> 01:06:30,000 It has been lucky. 1260 01:06:30,800 --> 01:06:33,233 That de la Riva wants to take Ana. 1261 01:06:34,166 --> 01:06:35,500 Yes. 1262 01:06:37,033 --> 01:06:38,100 Ana is very talented. 1263 01:06:38,166 --> 01:06:39,600 [REINFORCING IT]: Yes. 1264 01:06:40,366 --> 01:06:42,366 So, This has nothing to do with... 1265 01:06:42,433 --> 01:06:46,233 ...so that you told de la Riva to take her to surprise your fiancée. 1266 01:06:46,300 --> 01:06:47,300 No. 1267 01:06:50,166 --> 01:06:52,700 Alberto, I don't care about money. You already know it. 1268 01:06:52,766 --> 01:06:55,233 So as a friend I can only tell you: 1269 01:06:55,300 --> 01:06:56,766 I understand it. 1270 01:07:03,033 --> 01:07:04,700 What are you running from? 1271 01:07:06,633 --> 01:07:09,333 It shouldn't be easy be close to Cristina... 1272 01:07:09,400 --> 01:07:12,400 ...pretending that you love her and not confuse reality a little. 1273 01:07:12,466 --> 01:07:14,666 I understand that you want to get away from her. 1274 01:07:15,600 --> 01:07:19,233 I don't distance myself from anyone because I'm not confusing anything, Mateo. 1275 01:07:19,366 --> 01:07:21,366 I want to be with Ana. 1276 01:07:22,366 --> 01:07:24,266 If you say so. 1277 01:07:32,066 --> 01:07:34,066 [UNINTELLIGIBLE DIALOGUE] 1278 01:07:34,133 --> 01:07:36,366 See you later, Mrs. Blanca. 1279 01:07:48,733 --> 01:07:51,333 not long ago It was you who was traveling... 1280 01:07:51,400 --> 01:07:53,766 ...to choose the fabrics. 1281 01:07:54,600 --> 01:07:56,700 I was thinking about that... 1282 01:07:56,766 --> 01:07:58,566 ...am I wrong? 1283 01:08:01,333 --> 01:08:03,633 By the way. The necklace has mysteriously appeared... 1284 01:08:03,700 --> 01:08:04,533 ...in its place. 1285 01:08:04,600 --> 01:08:06,566 [SARCASTIC]: Ah. Glad to hear it. 1286 01:08:06,633 --> 01:08:10,066 But I should pay more attention to his dependents. 1287 01:08:26,633 --> 01:08:27,733 Man, I don't know. 1288 01:08:27,800 --> 01:08:30,133 Yeah? You think? 1289 01:08:31,166 --> 01:08:33,133 How beautiful, Rita! 1290 01:08:33,200 --> 01:08:34,400 Can I talk to you? 1291 01:08:34,466 --> 01:08:36,000 Yes of course. 1292 01:08:36,066 --> 01:08:37,400 Come. 1293 01:08:41,333 --> 01:08:42,266 Hey, Peter... 1294 01:08:42,333 --> 01:08:43,400 ...that I take advantage of... 1295 01:08:43,466 --> 01:08:45,266 ...I wanted to apologize because of this morning. 1296 01:08:45,333 --> 01:08:46,233 - No problem. - No. 1297 01:08:46,300 --> 01:08:47,133 I'm very sorry. 1298 01:08:47,200 --> 01:08:49,000 You caught me at a very bad time. 1299 01:08:50,333 --> 01:08:53,100 You look so excited! It seems that the one who is going to Paris is you. 1300 01:08:53,166 --> 01:08:54,600 It's just that I have my own illusion, Rita. 1301 01:08:54,666 --> 01:08:57,133 - But it's thanks to you and you know it. - Well... 1302 01:08:58,266 --> 01:08:59,500 I have spoken with my sister. 1303 01:08:59,566 --> 01:09:00,533 Have you told him What about the floor? 1304 01:09:00,600 --> 01:09:02,033 No no. 1305 01:09:02,100 --> 01:09:03,266 No. 1306 01:09:03,333 --> 01:09:05,200 Have you backed out? 1307 01:09:05,266 --> 01:09:08,033 You have opened my eyes, which is different. 1308 01:09:08,100 --> 01:09:09,800 I can't start the house from the roof. 1309 01:09:10,033 --> 01:09:11,433 I don't love him talk about no floor. 1310 01:09:11,500 --> 01:09:12,366 I'm very happy to hear it. 1311 01:09:12,433 --> 01:09:14,133 I'm going to ask her to marry me. 1312 01:09:14,200 --> 01:09:16,733 Tonight: Look, I already have the ring and everything. 1313 01:09:16,800 --> 01:09:17,666 - Peter, no, no. - Yes. 1314 01:09:17,733 --> 01:09:19,400 You are rushing. 1315 01:09:19,466 --> 01:09:21,666 No, it's six years; It's the right time. 1316 01:09:21,733 --> 01:09:23,600 Really not. 1317 01:09:23,666 --> 01:09:24,533 Wait for him to come back. 1318 01:09:24,600 --> 01:09:26,233 But what difference does it make? whether you are here or not? 1319 01:09:26,300 --> 01:09:27,500 Well, give, Pedro, give. 1320 01:09:27,566 --> 01:09:29,233 Imagine that Clara You don't expect it and... 1321 01:09:29,300 --> 01:09:32,566 - ...doubts arise. - I don't care. I'm not going to pay attention to you. 1322 01:09:32,633 --> 01:09:35,333 [EXCITED]: I have risked everything. In other words, I'm here to wait. 1323 01:09:39,533 --> 01:09:40,766 ANA [SCREAMS]: Rita, come on. 1324 01:09:41,000 --> 01:09:42,000 Wait. 1325 01:09:42,633 --> 01:09:43,466 Enjoy in Paris. 1326 01:09:43,533 --> 01:09:44,366 Come on, let's go. 1327 01:09:44,433 --> 01:09:45,433 PEDRO: Goodbye, Ana. 1328 01:09:45,500 --> 01:09:47,033 Goodbye. 1329 01:09:47,300 --> 01:09:48,433 Come on, come on. 1330 01:09:48,500 --> 01:09:50,366 Have a good time. 1331 01:09:52,666 --> 01:09:55,400 Alberto, bring me something expensive. 1332 01:09:56,000 --> 01:09:57,533 Hello. 1333 01:09:58,633 --> 01:10:00,033 Rita, don't look back... 1334 01:10:00,100 --> 01:10:01,600 ...we're going to Paris. 1335 01:10:01,666 --> 01:10:05,233 Don't you have the feeling that there Can't anything bad happen to us? 1336 01:10:05,300 --> 01:10:07,300 [JOYFRENCH SONG PLAYS] 1337 01:10:36,200 --> 01:10:38,200 [JOYFRENCH SONG CONTINUES] 1338 01:10:46,533 --> 01:10:48,533 [FRENCH JOYFUL SONG IT IS GOING OFF] 1339 01:10:48,600 --> 01:10:49,700 Hello, Clara. 1340 01:10:49,766 --> 01:10:51,500 Hello, good afternoon. 1341 01:10:51,566 --> 01:10:53,000 I wanted to ask you a favor. 1342 01:10:53,066 --> 01:10:55,100 It's to surprise Alberto. 1343 01:10:55,166 --> 01:10:58,300 Call the agency and let them tell you What is the first flight to Paris? 1344 01:10:59,466 --> 01:11:02,200 But don't charge it to the account of the galleries. I'll pay for it. 1345 01:11:02,266 --> 01:11:03,266 Very good. 1346 01:11:03,333 --> 01:11:05,166 And if Alberto calls... 1347 01:11:05,233 --> 01:11:06,666 ...not a word. 1348 01:11:06,733 --> 01:11:08,666 [JOYFRENCH SONG CONTINUES] 1349 01:11:16,300 --> 01:11:18,300 [JOYFRENCH SONG ENDS] 1350 01:11:19,566 --> 01:11:21,200 You don't have the feeling what will it be... 1351 01:11:21,266 --> 01:11:23,233 ANA: ...the best weekend of our lives. 1352 01:11:23,300 --> 01:11:24,566 I have reserved a table for two... 1353 01:11:24,633 --> 01:11:25,533 ALBERT: ...in the best restaurant. 1354 01:11:25,600 --> 01:11:28,366 ANA: I wish every day of my life were like this. 1355 01:11:29,133 --> 01:11:31,133 - Do you want to marry me? - Do you pray, Pedro? 1356 01:11:31,200 --> 01:11:32,533 Sorry, I tripped. 1357 01:11:35,133 --> 01:11:37,033 MATTHEW: Would you like spend more time with me? 1358 01:11:37,100 --> 01:11:39,466 CLARA: Don't you think that ten hours a day is it more than enough? 1359 01:11:39,533 --> 01:11:41,400 I meant outside of work. 1360 01:11:41,466 --> 01:11:43,666 Ready. I told him that I needed money in the morning... 1361 01:11:43,733 --> 01:11:45,733 MAX: ...so I imagine that will go to the bank. 1362 01:11:45,800 --> 01:11:46,766 MAX: See you there. 1363 01:11:47,800 --> 01:11:49,433 BLANCA: Yesterday I told you I would help you. 1364 01:11:49,500 --> 01:11:50,800 Take. 1365 01:11:51,033 --> 01:11:52,566 It's the savings of twenty years of work. 1366 01:11:52,633 --> 01:11:54,766 BLANCA: I hope you understand the value of this money. 1367 01:11:55,000 --> 01:11:56,433 PILAR: You didn't tell me, but... 1368 01:11:56,500 --> 01:11:58,166 ...they have told me that someone blackmailed you. 1369 01:11:58,233 --> 01:12:01,233 PILAR: Someone who knows many things of your past and that of Rafael. 1370 01:12:01,300 --> 01:12:04,300 BLACKMAILER: One is sold and Pilar has turned out to be very good. 1371 01:12:04,366 --> 01:12:05,466 GLORIA: How much do you want? 1372 01:12:05,533 --> 01:12:07,633 Double what he gave me the last time. 1373 01:12:07,700 --> 01:12:10,000 WHITE: Doña Cayetana and her husband are waiting for her. 1374 01:12:10,066 --> 01:12:11,566 I don't feel well. Could you send another one? 1375 01:12:11,633 --> 01:12:14,100 BLANCA: You know that those gentlemen They always claim it. 1376 01:12:14,166 --> 01:12:15,166 WHITE: Come on, go up. 1377 01:12:16,433 --> 01:12:17,433 FRANCIS: And Luisa? 1378 01:12:17,500 --> 01:12:19,133 Luisa has had an accident. 1379 01:12:19,200 --> 01:12:20,333 Here is a dressmaker. 1380 01:12:20,400 --> 01:12:21,433 But if you want another thing... 1381 01:12:21,500 --> 01:12:23,433 ...you'll have to look for it outside my workshop. 1382 01:12:23,800 --> 01:12:25,366 LUISA: Doña Cayetana... 1383 01:12:27,000 --> 01:12:28,700 ...it's about Don Francisco. 1384 01:12:29,133 --> 01:12:29,800 Who? 1385 01:12:30,033 --> 01:12:31,000 WOMAN: We have to talk. 1386 01:12:31,066 --> 01:12:32,233 Rosa Maria? 1387 01:12:32,300 --> 01:12:33,566 -Rita. - Oh! I didn't expect... 1388 01:12:33,633 --> 01:12:34,466 ...see it here. 1389 01:12:34,533 --> 01:12:35,566 I have reserved at Le Petit Pois. 1390 01:12:36,100 --> 01:12:37,266 You seem surprised. 1391 01:12:37,500 --> 01:12:39,233 Too surprised... 1392 01:12:39,300 --> 01:12:41,200 CRISTINA: ...because it's not your first time. 1393 01:12:41,266 --> 01:12:44,466 I speak enough French to understand the whispers of the service. 1394 01:12:44,533 --> 01:12:46,800 CRISTINA: They said something that the gentleman repeats table... 1395 01:12:47,033 --> 01:12:47,800 CRISTINA: ...but it changes... 1396 01:12:48,033 --> 01:12:49,333 ...companion.